The National Portrait Gallery acquired a beguiling silhouette group portrait by Samuel Metford, an English artist who spent periods of his working life in America.
The exhibition Depth of Field displays a selection of portrait photographs that reflect the strength and diversity of Australian achievement.
Rebecca Ray on Robert Fielding’s Mayatjara series, Jennifer Higgie on Alice Neel, Elspeth Pitt chats with Yvette Coppersmith, Vincent Fantauzzo on virtual sittings with Hugh Jackman and more.
Bradley Vincent considers Samuel Hodge’s use of the archive to create a queer vernacular of portraiture.
Australian artist Shaun Gladwell discusses his portraits of champion athletes.
A new painting by Jiawei Shen captures the vision and resolve of the Gallery's founder, L. Gordon Darling AC CMG.
Tony Curran ponders whether our phones can change the course of painting.
Emma Kindred examines fashion as a representation of self and social ritual in 19th-century portraiture.
Joanna Gilmour delves into a collection display that celebrates the immediacy and potency of drawing as an art form in its own right.
Stephen Valambras Graham traverses the intriguing socio-political terrain behind two iconic First Nations portraits of the 1850s.
Harold Cazneaux's portraits of influential Sydneysiders included Margaret Preston and Ethel Turner, both important figures in the development of ideas about Australian identity and culture.
Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.
Sir Sidney Kidman (1857-1935) is inscribed in Australian legend as the ‘Cattle King’.
Michael Desmond in conversation with University of Houston professor of philosophy Cynthia Freeland.
Penelope Grist explores the photographic instinct of four-time National Photographic Portrait Prize finalist Julian Kingma.
Michael Desmond discusses the portrait of Senator Neville Bonner by Robert Campbell Jnr.