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Ashleigh Wadman rediscovers the Australian characters represented with a kindly touch by the British portrait artist Leslie Ward for the society magazine Vanity Fair.
David Ward writes about the exhibition Hide/Seek: Difference and Desire in American Portraiture on display at the National Portrait Gallery, Washington.
Australian actress Deborah Mailman is the subject of a unique portrait by Evert Ploeg.
Karen Quinlan considers the case of Agnes Goodsir, whose low profile in Australia belies her overseas acclaim.
Angus Trumble provides poignant context for Aña Wojak’s portrait of Tony Carden.
National Portrait Gallery director Karen Quinlan AM nominates her quintet of favourites from the collection, with early twentieth-century ‘selfies’ filling the roster.
David Gist steps beyond the public relations veneer of Australia’s official Vietnam War portrait photographs.
David Hansen’s tribute to his close friend, prince of words and former National Portrait Gallery director, the late Angus Trumble.
Barbara Blackman reflects on her experiences as a life model.
Anne O’Hehir on the seductive power of the film still to reflect and shape ourselves and our cultural landscape.
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.
Curator Emma Kindred shares a glimpse of the creative process behind her selection of works for the National Portrait Gallery’s salon hang.
Sir Sidney Kidman (1857-1935) is inscribed in Australian legend as the ‘Cattle King’.
The story behind two colonial portraits; a lithograph of captain and convict John Knatchbull and newspaper illustration of Robert Lowe, Viscount Sherbrooke.
Joanna Gilmour explores the stories behind the ninteenth-century carte de visites of bushrangers Frank Gardiner and Fred Lowry.
Jude Rae contemplates the portrait commission.