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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196
Storied portrait
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Emily Casey takes in Shirley Purdie’s remarkable self-portrait, Ngalim-Ngalimbooroo Ngagenybe.
The National Portrait Gallery's 20th Anniversary
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Last month we marked the twentieth anniversary of the formal establishment of the National Portrait Gallery, the tenth of the opening of our signature building, and the fifth of our having become a statutory authority under Commonwealth legislation.
Portrait dendrochronology
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Angus's latest Trumbology is accompanied by the following caveat: 'This one is reeeeeeally geeky.'
The National Photographic Portrait Prize turns ten
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It is now a little more than 178 years since the French Academy of Sciences was made aware of the invention of the daguerreotype process.
A portrait of the artist by the artist
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Rowan McGinness asks: when is a self portrait not a self portrait?
A colourful story from Sideshow Alley
Infamy, the macabre & the portrait
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From infamous bushranger to oyster shop display, curator Jo Gilmour explores the life of George Melville.
Friends
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Warwick Baker’s photos of his friends are intimate. They hold a stillness that allows their subjects to be at ease.
Robert Oatley AO
1928–2016
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The National Portrait Gallery mourns the loss of one our most generous benefactors, Robert Oatley AO.
Very fine and very like
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When did notions of very fine and very like become separate qualities of a portrait? And what happens to 'very like' in the age of photographic portraiture?
Betty Churcher
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The National Portrait Gallery mourns the loss of our colleague and friend Betty Churcher, AO.
Tribute: Mary Isabel Murphy
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The Chairman, Board, Director and all the staff of the National Portrait Gallery mourn the loss of our Benefactor, Mary Isabel Murphy.
A stitch in time: Participating in portraiture
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Author and embroidery enthusiast Emma Batchelor shares her experience of joining a sewing circle with Portrait23: Identity artist Deborah Kelly.
Remembering Ursula
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I first knew Dr. Hoff when in 1986, long after retiring from the National Gallery of Victoria, she taught a graduate seminar on Rembrandt.
Brains trust
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Eminent doctors and scientists have for more than a century consistently caused our nation to punch far above her weight.
Kate Beynon’s transcultural life and art
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Phoebe Lupton profiles artist Kate Beynon, whose contemplative self portrait features in Archie 100: A Century of the Archibald Prize.
Autumn in Canberra
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In Persuasion (1818), a long walk on a fine autumn day affords Anne Elliot an opportunity to ruminate wistfully and at great length upon declining happiness, youth and hope.