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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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William Robertson

200 Years of Portraiture

About Face article

To celebrate his family bicentenary, Malcolm Robertson looks at the portraiture legacy left by his ancestors.
Barry Humphries

Talking heads

About Face article

In their own words lead researcher Louise Maher on the novel project that lets the Gallery’s portraits speak for themselves.
An evening at Yarra Cottage, Port Stephens

Maria Caroline Brownrigg

About Face article

At first glance, this small watercolour group portrait of her two sons and four daughters by Maria Caroline Brownrigg (d. 1880) may seem prosaic, even hesitant
Forest Creek, Mount Alexander Diggings, 1852 by S. T. Gill

The Rothschilds, the Montefiores, and the Victorian Gold Rush

About Face article

Some years ago my colleague Andrea Wolk Rager and I spent several days in the darkened basement of a Rothschild Bank, inspecting every one of the nearly 700 autochromes created immediately before World War I by the youthful Lionel de Rothschild.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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