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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Mal Meninga

Mal Meninga, 2018

by Peter Hudson
General content

Commissioned with funds provided by Maliganis Edwards Johnson and Alan Dodge AM 2018

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2017

Portrait Donors
The Dipper

The Dipper

Moustaches

One of the versions of thick, macho moustache strongly associated in the Australian visual lexicon with sportsmen of the 1970s and 80s.

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2018

Portrait Donors
Angus Young, AC/DC, LA

Oz Rock

Gettin’ robbed, gettin’ stoned, gettin’ beat up, broken boned
General content

Two of the music industry’s highest-selling performers originated in suburban Australia. The Bee Gees started out in Brisbane, for instance, and AC/DC played their first gigs at a nightclub in inner Sydney.

Peter de Waal and Peter Bonsall-Boone, St Kilda, October 1966 Unknown artist

Committed to the cause and each other

Devotion

Love versus the law

Jessica Mauboy

National Portrait Gallery unveils twenty new portrait commissions to celebrate twenty years

18 October 2018
Archived media releases 2018

The National Portrait Gallery has unveiled twenty new portrait commissions of Australian leaders and individualists as part of its twentieth birthday celebrations in a new exhibition, 20/20: Celebrating twenty years with twenty new portrait commissions.

Guthugga Pipeline, Christmas Show, upstairs, The (old) Griffin Centre, Civic, 22 December 1979. Crowd, L-R : Ben Donaldson, Anne Redmond, Nick Vollis, Esa  Makela, Megan Woodrow (Mohawk), Andy Hall (scarf) 'pling

Capital Cool

Stop in all the byways, playin' rock 'n roll
General content

Outsiders tend to give Canberra a bad rap: sterile, plagued by politicians, a comatose capital for professionals and academics. Nick Cave once said he didn’t like the city because there were too many punks.

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Donors

$25,000+
Honour board
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Major Supporters

$10,000+
Honour board
Barry Gibb

The 1950s to the present day

Mo and beard timeline

Certain European leaders (needless to name) had the effect of making certain styles of facial hair decidedly undesirable in the years immediately after World War 2.

George Reid paperweight

Some prime ministers

General content

Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency