Artist Vincent Fantauzzo on dyslexia, connection and virtual sittings with Hugh Jackman.
Former NPG Director, Andrew Sayers, explores the creative collaborations between four Australian artists living in Paris during the first years of the twentieth century.
Inga Walton on the brief but brilliant life of Hugh Ramsay.
Hugh Ramsay, the fashion of Jenny Kee and Linda Jackson, Peter Wegner's centenarian series, John and Elizabeth Gould's family connections, Karen Quinlan's top five portraits and more.
Rebecca Ray on Robert Fielding’s Mayatjara series, Jennifer Higgie on Alice Neel, Elspeth Pitt chats with Yvette Coppersmith, Vincent Fantauzzo on virtual sittings with Hugh Jackman and more.
Former NPG Director, Andrew Sayers describes the 1922 Self-portrait with Gladioli by George Lambert.
Joanna Gilmour explores the life and art of the Australian artist Janet Dawson.
Charles Haddon Chambers the Australian-born playboy playwright settled permanently in London in 1880 but never lost his Australian stance when satirising the English.
A pair of portraits by John Brack; Portrait of Kym Bonython and Portrait of Mr Bonython's speedway cap combine to create a quirky depiction of their subject.
Jessica Herrington won the inaugural National Youth Self Portrait Prize in 2008 with a work about the difficulty we have revealing ourselves in front of the camera.
Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.
In his speech launching the new National Portrait Gallery building on 3 December 2008, then Prime Minister Kevin Rudd set the Gallery in a national and historical context.
The portrait of Janet and Horace Keats with the spirit of the poet Christopher Brennan is brought to life by artist Dora Toovey.
John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.
Andrew Sayers explores the self-portraits created by Australian artist Sidney Nolan.
The exhibition Australians in Hollywood celebrated the achievements of Australians in the highly competitive American film industry.