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George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.

Portrait launch of Major-General Paul Cullen AC CBE DSO and Bar ED (Rtd) and George Judah Cohen.

The story behind George Lambert's Self-portrait with Gladioli.

A reflection on the National Portrait Gallery's first four years.

George Foxhill's self portraits were the subject of a small focus display at the National Portrait Gallery in 2006.

Photographer Polly Borland on capturing Queen Elizabeth II.

Grace Carroll discusses the portrait of the late-eighteenth century gentleman pickpocket George Barrington.

In his speech launching the new National Portrait Gallery building on 3 December 2008, then Prime Minister Kevin Rudd set the Gallery in a national and historical context.

Gallery directors Karen Quinlan and Tony Ellwood talk to Penelope Grist about the NPG and NGV collaborative exhibition, Who Are You: Australian Portraiture.

Former NPG Director, Andrew Sayers describes the 1922 Self-portrait with Gladioli by George Lambert.

Artist Vincent Fantauzzo on dyslexia, connection and virtual sittings with Hugh Jackman.

Peter Ciemitis breached regulations when creating the portrait of the polymath environmental scientist George Seddon.

Chris Chapman explains how Matthys Gerber bridges the gap between abstraction and portraiture.

Tedi Bills talks to George Gittoes about canvassing conflict.

Andrew Sayers discusses the real cost of George Lambert's Self portrait with gladioli 1922.

For me, swimming was particularly special because it was the only sport that I could participate in as a kid where I could take my prosthetic leg off, jump in the water, and I could be the same as all the other kids.