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Dempsey's people
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Those of you who are active in social media circles may be aware that through the past week I have unleashed a blitz on Facebook and Instagram in connection with our new winter exhibition Dempsey’s People: A Folio of British Street Portraits, 1824−1844.
200 Years of Portraiture
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To celebrate his family bicentenary, Malcolm Robertson looks at the portraiture legacy left by his ancestors.
Of plague and portraits
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Corinna Cullen on the symbolic power of pandemic-related imagery over the ages.
The cost of living luxuriously
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In 1904, the Dowager Empress Marie Feodorovna of Russia purchased as a gift for her sister, Queen Alexandra, a fan composed of two-color gold, guilloché enamel, mother-of-pearl, blond tortoiseshell, gold sequins, silk, cabochon rubies, and rose diamonds from the House of Fabergé in Saint Petersburg.
The Viceroyalty of New Spain
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European painters always enjoyed a good deal of latitude in the representation of angels, those asexual, bodiless, celestial regiments of God, so long as they were young and beautiful.
Maria Caroline Brownrigg
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At first glance, this small watercolour group portrait of her two sons and four daughters by Maria Caroline Brownrigg (d. 1880) may seem prosaic, even hesitant