Charles Blackman OBE (1928–2018), artist, studied at East Sydney Technical College and worked as a press artist for the Sun newspaper before moving to Melbourne, where he came to the attention of arts patron John Reed. With Reed's support, he began to produce his signature series of images, incorporating schoolgirls with flowers and Alice in Wonderland figures and motifs. He was a signatory to the Antipodean Manifesto (loosely, a defence of figuration against abstraction) in the early 1950s. After he won the Helena Rubinstein Scholarship in 1960, his work was shown in the important Whitechapel and Tate exhibitions in London in 1961–1962. Exhibiting prolifically throughout his career, over the 1970s he produced softer images of cats and gardens. In the early 1990s, a period during which he revisited themes of his early work, a Blackman retrospective exhibition toured nationally.
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