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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Dr Reg Hook

Inner Worlds and psychoanalysis

Lecture, 4 June 2011
General content

Inner Worlds evokes a broad view of psychology as a discipline. However, the specific interests of the practitioners whose portraits are included in the exhibition incorporate specialist areas including psychoanalysis.

Dr Christopher Chapman

The art of Inner Worlds

Lecture, 7 May 2011
General content

Dr Christopher Chapman NPG Curator of Inner Worlds explains the development of an exhibition that spans from Surrealism to contemporary art.

Inner Worlds

Portraits and Psychology
Previous exhibition, 2011

Portraits of Australia’s pioneering psychologists and artworks by artists fascinated by the subconscious mind.

Sandor Ferenczis 50th birthday dinner, Budapest, 1923

Less than six degrees of separation

Magazine article by Dr Anne Sanders, 2011

Anne Sanders finds connections in Inner Worlds between Hungarian expatriates and the development of psychoanalysis in Australia.

12 Untitled Self Portraits (Set 3)
12 Untitled Self Portraits (Set 3)
12 Untitled Self Portraits (Set 3)

12 Untitled Self Portraits (Set 3), 1990

Mike Parr, John Loane
Portrait, drypoint on 12 sheets of paper, unique state prints on paper

Gift of Sara Kelly 2010. Donated through the Australian Government's Cultural Gifts Program.

Lauren in Red, 2003

Is the truth of portraiture vested exclusively in likeness?

Magazine article by Michael Desmond, 2006

Curator Michael Desmond introduces the exhibition Truth and Likeness, an investigation of the importance of likeness to portraiture.

Howard Taylor

Reflections on portraiture

Magazine article by Andrew Sayers AM, 2004

An extract from the 2004 Nuala O'Flaaherty Memorial Lecture at the Queen Victoria Musuem and Art Gallery in Launceston in which Andrew Sayers reflects on the unique qualities of a portrait gallery.

Self portrait with glove

To Look Within

Self Portraits in Australia
Previous exhibition, 2004

This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present

Mike Parr
Mike Parr
Mike Parr

Mike Parr, 1995

Greg Weight
Portrait, gelatin silver photograph on paper

Gift of Patrick Corrigan AM 2004. Donated through the Australian Government's Cultural Gifts Program.

Self-portrait, 1981 Robert Mappelthorpe

The Possibilities of Portraiture

Previous exhibition, 1999

What does 'portraiture mean at the end of the 20th century? At the outset of building a national portrait collection it seems an appropriate question to investigate.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency