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Icons Syndicate

Sir Ian McLennan, c. 1978

Collection: National Portrait Gallery
Gift of BHP Billiton 2003
Donated through the Australian Government's Cultural Gifts Program

David Combe and the portrait, 1983

Collection: National Portrait Gallery
Gift of David Combe 1998
Donated through the Australian Government's Cultural Gifts Program

Sir Ian Potter, 1973

Collection: National Portrait Gallery
Gift of Lady Primrose Potter 2006
Donated through the Australian Government's Cultural Gifts Program

Headspace 1

Headspace showcases portrait art produced by secondary students from Year 7 to Year 12 in Government, Catholic and Independent schools in Canberra and its surrounding regions extending to Wollongong, Deniliquin, Leeton, Crookwell, Bombala, Narooma and Albury

Captain W Kinghorne, 1834

Collection: National Portrait Gallery
Purchased with funds provided by The Ian Potter Foundation 2007

Lucy Escott, c. 1861

Purchased 2009

2015-17 Acquisition Fund

From 2015 to 2017 the Acquisition Fund was focussed on Reg Richardson AM by Mitch Cairns, a finalist in the Archibald Prize 2014, and a great example of minimalist portraiture.

Masters of Fare

Masters of fare: chefs, winemakers, providores celebrates men and women who have championed the unique culinary characteristics and produce of Australia, enriching our lives with new ideas and new flavours over the past forty years.

Paul Kelly and The Portraits media information

Paul Kelly & The Portraits presents a multifaceted image of the performer over the course of his career.

The Fairfax Gift

This article examines the portraits gifted to the National Portrait Gallery by Fairfax Holdings in 2003.

Go glossy!

In association with the Glossy 2 exhibition, eight year 10,11 and 12 students spent two days transforming themselves into a variety of alter-egos in the first ever 8x10 Glossy Photo Shoot Workshop.

National Youth Self Portrait Prize

An annual event, the National Youth Self Portrait Prize seeks to encourage young people to embrace self portraiture and its expressive possibilities.

Exposed: Voyeurism Surveillance and the camera since 1870

The Tate/SFMOMA exhibition Exposed examined the role of photography in voyeurism and how it challenges ideas of privacy and propriety.

Krystal Seigerman

The photograph was a brief, candid moment, which unfolded into a portrait. Peter and I were in Silverton, NSW, chatting as our students explored the town. The weak afternoon light suddenly became dramatic and defined, so I asked Peter if I could take his portrait.