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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Nicole Kidman, New York

Penn on paper

Magazine article by Michael Desmond, 2009

Michael Desmond discusses Irving Penn's photographic portrait of Nicole Kidman.

Discussion between Bob Hawke and Yunupingu, Burunga Festival, Northern Territory

Discussion between Bob Hawke and Yunupingu, Burunga Festival, Northern Territory

Discussion between Bob Hawke and Yunupingu, Burunga Festival, Northern Territory

Discussion between Bob Hawke and Yunupingu, Burunga Festival, Northern Territory, 1988 (printed 2015)

Portrait, gelatin silver photograph on paper

Purchased 2015

Margaret Whitlam

Open Air

Portraits in the Landscape

Previous exhibition, 2008

Open Air is an exhibition of portraits of Australians in environments of particular significance to them.

Lee Kernaghan near Broken Hill

Australian of the Year

Inspiring a Nation

Previous exhibition, 2010

The Australian of the Year Awards have often provoked controversy about who is selected and whether their achievements are remarkable.

Harry Seidler, Killara, Sydney

A Captured Moment

Magazine article by Simon Elliott, 2001

The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.

Bob Hawke

Primed

Some Prime Ministers

Previous exhibition, 2019

Seventeen of Australia’s thirty prime ministers to date are represented in the contrasting sizes, moods and mediums of these portraits.

Tim Burstall, Andamooka (filming of the Last of the Knucklemen)

Tim Burstall

Tim Burstall (1927-2004) set up Eltham Films in the early 1950s, when the local film industry was moribund.

2 portraits in the collection

Roy de Mastre, c. 1930

An Intimate Portrait of an Australian Artist in 1930

Magazine article by Lauren Dalla, 2003

Lauren Dalla examines the life of Australian painter Roy de Maistre and his portrait by Jean Shepeard.

Sketch of Clifton Pugh painting John Perceval

Sketch of Clifton Pugh painting John Perceval

Sketch of Clifton Pugh painting John Perceval

Sketch of Clifton Pugh painting John Perceval, 1985

Portrait, pencil on paper

Collection: National Portrait Gallery
Gift of the artist 2016

Professor Peter Doherty

Rick Amor

Previous exhibition, 2014

Rick Amor, noblest yet most unaffected of contemporary Australian portraitists, is also a painter of enigmatic, ominous landscapes, seascapes and cityscapes that haunt the viewer like dreams, dimly-recalled.

Sidney Nolan, Western Australia

Cultural kaleidoscope

Magazine article by Dr Sarah Engledow, 2006

The complex connections between four creative Australians; Patrick White, Sidney Nolan, Robert Helpmann and Peter Sculthorpe.

James, Rebecca and Sam Mapu

Time and light

In Gallery Seven

Previous exhibition, 2023

This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.

Portrait of Professors Margaret Gardner and Glyn Davis

Portrait of Professors Margaret Gardner and Glyn Davis

Portrait of Professors Margaret Gardner and Glyn Davis

Portrait of Professors Margaret Gardner and Glyn Davis, 2017

Jacqueline Mitelman

Portrait, type C photograph on paper

Commissioned with funds provided by Jim and Barbara Higgins, Sir Roderick Carnegie AC, Rupert Myer AO and Annabel Myer, Louise and Martyn Myer Foundation, Peter and Ruth McMullin, Diana Carlton, Professor Derek Denton AC, Harold Mitchell AC, Peter Jopling AM KC, Andrew and Liz Mackenzie, Patricia Patten, Tamie Fraser AO, Bruce Parncutt and Robin Campbell, Lauraine Diggins, Steven Skala AO and Lousje Skala 2017

Potters' Portrait Pot

Of human clay

Magazine article by Michael Desmond, 2009

The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.

Ellen Stirling

Very fine and very like

About Face article

When did notions of very fine and very like become separate qualities of a portrait? And what happens to 'very like' in the age of photographic portraiture?

blood/memory: Brenda & Christopher I (Gurindji/Malngin/Mudburra; Mara/Ngarrindjeri/Ritharrngu; Anglo-Australian/Chinese/German/Irish/Scottish) 2021

blood/memory: Brenda & Christopher I (Gurindji/Malngin/Mudburra; Mara/Ngarrindjeri/Ritharrngu; Anglo-Australian/Chinese/German/Irish/Scottish) 2021

blood/memory: Brenda & Christopher I (Gurindji/Malngin/Mudburra; Mara/Ngarrindjeri/Ritharrngu; Anglo-Australian/Chinese/German/Irish/Scottish) 2021

blood/memory: Brenda & Christopher I (Gurindji/Malngin/Mudburra; Mara/Ngarrindjeri/Ritharrngu; Anglo-Australian/Chinese/German/Irish/Scottish) 2021, 2022 (printed 2023)

Brenda L Croft, Prue Hazelgrove, Richard Crampton

Portrait, original wet plate collodion process tintype, digital scan to Ultrachrome pigment on paper

Purchased 2023

© National Portrait Gallery 2024
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Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency