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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Ruby (left view), 2022 Shea Kirk

The 2023 National Photographic Portrait Prize

16 June 2023
Media

Shea Kirk’s portrait of friend and fellow-artist Emma Armstrong-Porter has won the 2023 National Photographic Portrait Prize.

Gravity, 2009 by Alwar Balasubramaniam

Alwar Balasubramaniam

by Zehra Jumabhoy
Artist essays

Born in 1971 in Tamil Nadu, Southern India, Alwar Balasubramaniam's sculptures, prints and installations challenge our perceptions while creating forms for the invisible and the intangible.

Goollabal (Rainbow Serpent), 2018 by Shirley Purdie

Memories

General content

The second row of paintings recall stories relating to specific sites, experiences and activities.

Four paintings on the wall of Gallery 1

Visiting the National Portrait Gallery

Visual Stories

Access support for a general visit to the Gallery.

Tim Flannery

Provocative talks on Saturdays in September

29 August 2016
Archived media releases 2016

Join The Saturday Paper’s chief political correspondent, Karen Middleton, for A Month of Saturdays – afternoon conversations bringing current affairs experts to the Gallery for engaging, real-time discussions about the topics that matter.

Kristin Headlam with Basil, 2016 by Mark Mohell

Kristin Headlam

Explore The Popular Pet Show

Basil grew into a speckled beauty – a long-legged leaper and an exceptionally vocal dog, with a great register of sounds, ascending in shock value from a whimper to a growl to a bark to a yelp that’s a violation of the ears.

Writing on the Wall, 2019 Dr Christian Thompson AO

To arrive at hope

NPPP 2020 exhibition essay
General content

Penelope Grist, National Photographic Portrait Prize judge and curator, introduces the 2020 Prize.

Nicholas Harding, 2016 Mark Mohell

Nicholas Harding

Explore The Popular Pet Show

Over the years the young Nicholas Harding got his hands on various mice and guinea pigs, but they served mainly to illustrate the concept of mortality. 

Graeme Drendel, 2016 by Mark Mohell

Graeme Drendel

Explore The Popular Pet Show

I like talking about Drendel’s pictures as if they expressed dreams of my own.

Robyn Sweaney, 2016 by Mark Mohell

Robyn Sweaney

Explore The Popular Pet Show

Robyn's parents had two terriers, Wuff and Snuff. In spite of Snuff’s ominous name and a couple of close shaves – once, he jumped out of a moving car, and another time, on a long road trip, he was accidentally left behind at a petrol station – he outlived Wuff.

Life Dancers, 2015 by Elizabeth Looker

NPPP 2016 exhibition essay

General content

Penny Grist, National Photographic Portrait Prize judge and curator, introduces the 2016 Prize.

Anna Culliton, 2016 by Mark Mohell

Anna Culliton

Explore The Popular Pet Show

Anna Culliton never had a colouring-in book when she was little. Her parents –Tony, a filmmaker, and Stephanie, a painter – wouldn’t let her have one. Instead, they insisted on her drawing her own pictures to colour-in. 

Trevor Jamieson, 2016 by Brett Canet-Gibson

The more things change...

NPPP 2017 exhibition essay
General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.

The Art Lovers - Megan, 2013 by Gary Grealy

Everybody, look serious

NPPP 2014 exhibition essay
General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2014 Prize.

Dr Reg Hook

Inner Worlds and psychoanalysis

Lecture, 4 June 2011
General content

Inner Worlds evokes a broad view of psychology as a discipline. However, the specific interests of the practitioners whose portraits are included in the exhibition incorporate specialist areas including psychoanalysis.

Self portrait

Rick Amor: 21 Portraits

General content

Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency