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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Andrew Sayers

Andrew Sayers AM

Andrew Sayers AM (1957–2015) was inaugural Director of the National Portrait Gallery.

1 portrait in the collection

Andrew Sayers

Andrew Sayers

Andrew Sayers

Andrew Sayers, 2012

Portrait, gelatin silver photograph, selenium toned on paper

Collection: National Portrait Gallery
Purchased with funds provided by Marilyn Darling AC 2013

Tim Burstall, Andamooka (filming of the Last of the Knucklemen)

Tim Burstall

Tim Burstall (1927-2004) set up Eltham Films in the early 1950s, when the local film industry was moribund.

2 portraits in the collection

Dr Christopher Chapman

The art of Inner Worlds

Lecture, 7 May 2011

General content

Dr Christopher Chapman NPG Curator of Inner Worlds explains the development of an exhibition that spans from Surrealism to contemporary art.

The Seekers reunite 50 years on

Judith Durham AO

The Seekers formed in Melbourne in 1962 when jazz singer Judith Durham met Athol Guy, who was in a folk trio with Bruce Woodley and Keith Potger.

3 portraits in the collection

James Oswald Fairfax

The Fairfax Gift

Magazine article by Andrew Sayers AM, 2003

This article examines the portraits gifted to the National Portrait Gallery by Fairfax Holdings in 2003.

The Seekers

The Seekers

The Seekers

The Seekers, 1993

Portrait, type C photograph on paper

Collection: National Portrait Gallery
Purchased 2005

Lesley Harding

Faces of war

Lecture, 14 May 2011

General content

Lesley Harding, Curator, Heide Museum of Modern Art, Melbourne explores Albert Tucker’s experience of World War II, his interests in the intersection between psychology and creativity, and their influence on his portrait making.

The Seekers reunite 50 years on

The Seekers reunite 50 years on

The Seekers reunite 50 years on

The Seekers reunite 50 years on, 2011

Portrait, synthetic polymer on linen

Gift of Judith Durham, Athol Guy, Keith Potger and Bruce Woodley 2012. Donated through the Australian Government's Cultural Gifts Program.

Sandor Ferenczis 50th birthday dinner, Budapest, 1923

Less than six degrees of separation

Magazine article by Dr Anne Sanders, 2011

Anne Sanders finds connections in Inner Worlds between Hungarian expatriates and the development of psychoanalysis in Australia.

Kevin Rudd

An Australian story

Magazine article by The Hon. Dr Kevin Rudd, 2009

In his speech launching the new National Portrait Gallery building on 3 December 2008, then Prime Minister Kevin Rudd set the Gallery in a national and historical context.

Margaret Fulton

Masters of Fare

Chefs, winemakers, providores

Previous exhibition, 2004

Masters of fare: chefs, winemakers, providores celebrates men and women who have championed the unique culinary characteristics and produce of Australia, enriching our lives with new ideas and new flavours over the past forty years.

Barry Humphries

Clifton Pugh

Previous exhibition, 2005

This exhibition offers a comprehensive display of Clifton Pugh's portraits revealing his development and growth from tonal paintings to a unique style that was in demand from politicians, artists, academics and Australian personalities.

Brown form with stripes, 1961

Figurative foundation

Magazine article by Joanna Gilmour, 2010

Joanna Gilmour explores the life and art of the Australian artist Janet Dawson.

James, Rebecca and Sam Mapu

Time and light

In Gallery Seven

Previous exhibition, 2023

This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.

Ray Lawler

Diamond Doll

Magazine article by Karen Vickery, 2016

Karen Vickery delights in a thespian thread of the Australian yarn.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency