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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

James, 2012 by Myles Nelson

Myles Nelson

Finalist interviews

It was definitely a candid encounter as was the expression on the face. It was constructed insofar as the image was deliberately taken from a distance so as to minimize intrusion and to magnify the effect of the image.

Free Range Cousins, 2015 by Jennifer Stocks

Children of the National Photographic Portrait Prize 2016

Learning resource
Learning resource archive

Senses, movement and imagination in portraits of children from the 2016 Prize. For Year 1 - 3 students.

Life Dancers, 2015 by Elizabeth Looker

NPPP 2016 exhibition essay

General content

Penny Grist, National Photographic Portrait Prize judge and curator, introduces the 2016 Prize.

Jørn Utzon

The 'Multi Exposed Hand'

22 January 2005
General content

Photographer Jozef Vissel talks about his ‘Multi Exposed Hand’ portrait of Sydney Opera House architect Jørn Utzon.

Pass to converse, 2003 by Melati Suryodarmo

Melati Suryodarmo

by Hendro Wiyanto
Artist essays

Born in Surakarta (Solo), Indonesia in 1969, Melati Suryodarmo’s first degree was in international relations.

15 minutes of frame

NPG Wellington, Edinburgh and Canberra, 10th March 2021
Recorded virtual programs

Delve into the lives, loves and labour of the world’s most prominent portrait galleries in this international conversation series.

Study of Louis Nowra

Study of Louis Nowra, 2018

by Imants Tillers
General content

Commissioned with funds provided by Tim Bednall, Jillian Broadbent AO, John Kaldor AO and Naomi Milgrom AO 2018

Janet Dawson, 2016 by Mark Mohell

Janet Dawson

Explore The Popular Pet Show

When soulmates Janet Dawson and Michael Boddy moved from Sydney to a property, Boddy was clear about why: ‘Our marriage is one long conversation - we moved to the bush so we could talk to each other without so many interruptions.’

Penny Fowler AM, John Barrington AM, Heidi Victoria, Elizabeth Dibbs, Tom Mosby, Hayley Baillie, Hugo Michell, Elizabeth Pakchung, Valerie Tam

The Board

Governance & Board

The Board oversees the Gallery's strategic directions, objectives and governance.

Janai and Josh, 2011 by Simon Harsent

NPPP 2012 exhibition essay

General content

Joanna Gilmour, National Photographic Portrait Prize judge and curator, introduces the 2012 Prize.

Keep the balance, 2010 by Eko Nugroho

Eko Nugroho

by Adeline Ooi
Artist essays

Born and raised in Yogyakarta, Eko Nugroho (b. 1977) entered the art scene at the height of Reformasi.

Alab ng puso (Fire in the heart), 2010 by Alfredo Esquillo Jr

Alfredo Esquillo Jr

by Patrick D. Flores
Artist essays

Born in Manila in 1972, Alfredo Esquillo Jr majored in painting at University of Santo Thomas.

Trans-, 2004-05 by Tejal Shah

Tejal Shah

by Gitanjali Dang
Artist essays

Born in 1979, Tejal Shah grew up in Chhattisgarh, central India, moving to Bombay in 1995.

Jack Charles

NPPP 2012 learning resource

Learning resource archive

Exploring select works from the NPPP 2012. For secondary students.

Fiona McMonagle, 2016 by Mark Mohell

Fiona McMonagle

Explore The Popular Pet Show

Fiona aims to create a dangerous situation with a flood of water on the paper, forcing each work to the point where it can fail, and then rescuing it. 

Landlocked, 2008 by Nadiah Bamadhaj

Nadiah Bamadhaj

by Beverly Yong
Artist essays

Born in Malaysia in 1968, to a Malaysian Muslim father and a New Zealander mother of Scottish descent Nadiah Bamadhaj studied Fine Arts in New Zealand, and is currently working on a PhD from Curtin University, Western Australia.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency