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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Dame Mary Gilmore

Painting writing

Magazine article by Dr Sarah Engledow, 2007

Dr Sarah Engledow explores the portraits of writers held in the National Portrait Gallery's collection.

Mary Ann Lawrence, 1841

Fits of delicacy and despair

Magazine article by Joanna Gilmour, 2009

Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.

Portrait 39

March - May 2011

This issue features the National Photographic Portrait Prize, Neil Murray, Lee Tulloch on Stuart Campbell, Joseph Banks, Scott Redford and more.

Portrait 13

September - November 2004

This issue of Portrait Magazine features Nancy Wake, Jon Campbell's portrait of Paul Kelly, George Selth Coppin, Henri Cartier-Bresson and more.

Portrait 54

Explore an Indian treasure trove, photography by Robert McFarlane and Nan Goldin, Michael Taylor's expressionist paintings, the Great War portraits, and more!

Portrait 24

June - August 2007

This issue of Portrait Magazine features Robert Hannaford, Walter Lindrum, John Brack, judicial portraits, Vincent Lingiari and more.

Portrait 5

September - November 2002

This issue of Portrait Magazine features Bill Leak's portrait of Robert Hughes, Polly Borland's photographs, Bill Brandt, Andy Thomas, Tracey Moffatt and more.

L. Gordon Darling AC CMG

Portrait of a patron

Magazine article by Dr Sarah Engledow, 2007

A new painting by Jiawei Shen captures the vision and resolve of the Gallery's founder, L. Gordon Darling AC CMG.

Portrait 68

Rebecca Ray on Robert Fielding’s Mayatjara series, Jennifer Higgie on Alice Neel, Elspeth Pitt chats with Yvette Coppersmith, Vincent Fantauzzo on virtual sittings with Hugh Jackman and more.

Portrait 53

Experience the art of rock music; attend to the neglected aspects of Lord Kitchener's work; and say farewell to the inimitable Bob Ellis.

Portrait of Captain James Cook RN

In the National Interest

Magazine article by Andrew Sayers AM, 2003

In focussing on the importance of gifts in the building of the collection, prominence must be given to the most spectacular of the National Portrait Gallery's acquisitions; the portrait of Captain James Cook RN by John Webber R.A.

Sir Robert Strong

All you can eat

Magazine article by Lauren Dalla, 2003

In February 2003 the National Portrait Gallery Circle of Friends brought Sir Robert Strong to Australia to present a series of lectures entitled The Artists & The Banquet- A History of Dining, which focused on the links between gardens and table decoration from the Renaissance to the Victorian Era.

Portrait 59

NPG Washington director Kim Sajet on the Obama portraits, Sarah Ball’s Immigrants, judging the NPPP, Frances Hodgkins, and Picnic at Hanging Rock.

Portrait of Professor Graeme Clark

Inspiration + Realisation: Peter Wegner

Magazine article by Katherine Russell, 2006

Peter Wegner's approach to portraiture could be considered a visual record of the rapport, the dynamic space between artist and subject.

"Just what is it that makes today's homes so different, so appealing?", 1956

Pop goes the preconception

Magazine article by Paul Moorhouse, 2007

A National Portrait Gallery, London exhibition redefines portraiture, shifting the focus towards a new perspective on Pop Art.

Robert Drewe (in the swell)

Undercurrent

Magazine article by Dr Sarah Engledow, 2010

Dr Sarah Engledow writes about the portraiture of Australian artist Nicholas Harding.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency