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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Dr John Yu

Clay, water, fire

Magazine article by Simon Elliott, 2005

Ah Xian's porcelain portrait of paediatrician Dr. John Yu reflects Yu's heritage and interests.

Ellen Stirling

Duty bound

Magazine article by Joanna Gilmour, 2009

Joanna Gilmour explores the life of colonial women Lady Ellen Stirling, Eliza Darling, Lady Eliza Arthur, Elizabeth Macquarie and Lady Jane Franklin.

A surface against which we can move, 2014 by Sam Leach

No small wonder

Magazine article by Joanna Gilmour, 2015

Joanna Gilmour describes how artist Sam Leach works on a small scale to grand effect.

Venetia, Lady Digby, circa 1633-1634 by Sir Anthony van Dyck

Love in the extreme

Magazine article by Joanna Gilmour, 2020

Joanna Gilmour reveals love’s more intense manifestations in the tale of Lord Kenelm and Venetia Digby.

The Cutmear sisters, Jane and Lucy, c. 1842

A man of superior attainments

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.

Dorothy Porter

Beautiful bones

Magazine article by Dr Sarah Engledow, 2011

Sarah Engledow reflects on the shared life and writing of Dorothy Porter and Andrea Goldsmith.

Girl with Cigarette, c. 1925 by Agnes Goodsir

Agnes enigma

Magazine article by Karen Quinlan AM, 2019

Karen Quinlan considers the case of Agnes Goodsir, whose low profile in Australia belies her overseas acclaim.

Gordon Darling Hall

Portrait of the Gallery

Magazine article by Graeme Dix, 2016

A design diary retrospective.

Marian Anderson, contralto, New York, June 30, 1955 Richard Avedon

The right note

Magazine article by Leslie Ureña, 2020

Marian Anderson’s glorious voice thrust her into stardom, and a more reluctant role as American civil rights pioneer.

Thomas Sutcliffe Mort and his wife Theresa

Tiny Trace of a Colonial Giant

Magazine article by Dr Sarah Engledow, 2004

At just 7.8 x 6.2 cm, the daguerreotype of Thomas Sutcliffe Mort and his wife Theresa is one of the smallest works in the collection of the National Portrait Gallery.

Sandor Ferenczis 50th birthday dinner, Budapest, 1923

Less than six degrees of separation

Magazine article by Dr Anne Sanders, 2011

Anne Sanders finds connections in Inner Worlds between Hungarian expatriates and the development of psychoanalysis in Australia.

Portrait of George Selth Coppin

The Multifarious Career of George Selth Coppin

Magazine article by Dr Sarah Engledow, 2004

George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.

Portrait sketch of Nellie Melba

Doodles of the Diva

Magazine article by Dr Sarah Engledow, 2010

Three tiny sketches of Dame Nellie Melba in the NPG collection were created by the artist who was to go on to paint the most imposing representation of the singer: Rupert Bunny.

Anne-Louise Lambert as Miranda Courtesy Picnic Productions

Rock star

Magazine article by Jennifer Coombes, 2018

Jennifer Coombes explores the lush images of Picnic at Hanging Rock, featuring Anne-Louise Lambert’s Miranda, the face of the film.

Sydney city (Patrick White and Tom Uren, Hiroshima Day demonstration), 1984

The activist A-list

Magazine article by Dr Sarah Engledow, 2007

Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.

On the wall - Guangzhou (II), 2002

Go Figure!

Magazine article by Claire Roberts, 2013

Claire Roberts interviews Swiss art collector Uli Sigg.

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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency