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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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General information

Turia Pitt

2021 Annual Appeal

In 2021 the Annual Appeal was focussed on Peter Brew-Bevan's portraits of athletes Turia Pitt, Leisel Jones OAM and Ellie Cole OAM.

Face of South Sudan, 2012 by Melanie Faith Dove

Melanie Faith Dove

Finalist interviews

I had been watching Agnes with intrigue, her face and profile were so mesmerizing. On our final day together I pulled her aside and convinced her that she had such an amazing face that I needed to get a photograph for myself. It was very spontaneous in that I decided quickly how it would best look and shot it in only two frames.

Peter, Silverton, NSW, 2012 by Krystal Seigerman

Krystal Seigerman

Finalist interviews

The photograph was a brief, candid moment, which unfolded into a portrait. Peter and I were in Silverton, NSW, chatting as our students explored the town. The weak afternoon light suddenly became dramatic and defined, so I asked Peter if I could take his portrait.

Jude Rae, 2016 by Mark Mohell

Jude Rae

Explore The Popular Pet Show

Jude Rae’s high reputation rests on her austere, cerebral still lifes of gas canisters, electric jugs and jars, which she groups and rearranges for paintings that catch their difficult curves and reflections. Her self-portrait’s likewise thoughtfully composed.

spaces between movement and stillness

Harriet Schwarzrock: spaces between movement and stillness

10 February 2021

Archived media releases 2021

To celebrate the new exhibition Australian Love Stories, renowned Australian glass artist Harriet Schwarzrock has been commissioned to make a large-scale installation reflecting on the role the heart plays as our emotional centre.

Graeme Drendel, 2016 by Mark Mohell

Graeme Drendel

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I like talking about Drendel’s pictures as if they expressed dreams of my own.

Gordon Darling Hall, National Portrait Gallery

Architecture

Natural light and human proportions – the design by Johnson Pilton Walker

Ruby (left view), 2022 Shea Kirk

The 2023 National Photographic Portrait Prize

Shea Kirk’s portrait of friend and fellow-artist Emma Armstrong-Porter has won the 2023 National Photographic Portrait Prize.

Goollabal (Rainbow Serpent), 2018 by Shirley Purdie

Memories

General content

The second row of paintings recall stories relating to specific sites, experiences and activities.

Dayiwool Ngarranggarni (Arygle dreaming), 2018 by Shirley Purdie

Ngarranggarni

General content

The third row of paintings come from Ngarranggarni (Dreaming).

Jack Charles

NPPP 2012 learning resource

Learning resource archive

Exploring select works from the NPPP 2012. For secondary students.

Arcadia: Sound of the sea

Exhibition introduction

General content

One night in the spring of 1970 in an old house in Whale Beach, north of Sydney, John Witzig, Albe Falzon and David Elfick put together the first issue of Tracks, playing Neil Young’s album Harvest over and over again as they pasted up galleys of type.

Ken Done, 2016 by Mark Mohell

Ken Done

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With a mum who was married to a tradie, you’d think it a fair chance that the baby Jesus would have grown up with a dog in the house.

Self portrait

Rick Amor: 21 Portraits

General content

Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.

Anna Culliton, 2016 by Mark Mohell

Anna Culliton

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Anna Culliton never had a colouring-in book when she was little. Her parents –Tony, a filmmaker, and Stephanie, a painter – wouldn’t let her have one. Instead, they insisted on her drawing her own pictures to colour-in.

Dr Reg Hook

Inner Worlds and psychoanalysis

Lecture, 4 June 2011

General content

Inner Worlds evokes a broad view of psychology as a discipline. However, the specific interests of the practitioners whose portraits are included in the exhibition incorporate specialist areas including psychoanalysis.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency