Skip to main content

What's on

Watch

The Gallery

Governance & Board

Circle of Friends

Learn

Access

Search the website

close close

What's on The Portraits The Gallery Learn Watch More O

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Search / mary moore

Martin Schoeller 2008

The God-shaped hole

Magazine article by Michael Desmond, 2010

Exploring the photographs of Martin Schoeller, Michael Desmond delves into the uneasy pact that exists between celebrity and the camera.

Dr Peter Farrell

Giving and getting

Magazine article by Michael Desmond, 2006

The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.

Cathy Freeman, 1994

Depth of Field

Magazine article by Lauren Dalla, 2004

The exhibition Depth of Field displays a selection of portrait photographs that reflect the strength and diversity of Australian achievement.

Still from the series Hereinbefore, 2012

Hereinbefore

Magazine article by Alistair McGhie, 2013

Alistair McGhie talks with Laura Moore about her winning digital self portrait.

Thomas Gainsborough, c.1758-59 by Thomas Gainsborough

Keep it in the family

Magazine article by David Solkin, 2019

David Solkin ponders the provocations and inspirations of the enigmatic Thomas Gainsborough.

Hélène Kirsova in Petrouchka

Vintage Max

Magazine article by Gael Newton, 2003

Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.

Lady Jane Grey, c.1590-1600 (also known as The ‘Streatham’ portrait) Artist unknown

The Royal she

Magazine article by Inga Walton, 2019

Traversing paint and pixels, Inga Walton examines portraits of select women in Tudors to Windsors: British Royal Portraits.

Robert Klippel

A bond of friendship

Magazine article by Yvonne Audette AM, 2005

Australia's major abstract painter Yvonne Audette discusses her portrait of sculptor Robert Kippel.

David Williamson

The Story So Far...

Magazine article by Simon Elliott, 2002

A reflection on the National Portrait Gallery's first four years.

Portrait of Dame Elisabeth Murdoch

The spirit of the gift

Magazine article by Andrew Sayers AM, 2003

Former NPG Director, Andrew Sayers celebrates the support given to the Gallery by Gordon and Marilyn Darling.

Vanity Fair, April, 2004

International issue

Magazine article by Michael Desmond, 2009

Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008

[Self-portrait], 1996

Reveries

Magazine article by Helen Ennis, 2007

The exhibition Reveries: Photography and mortality is a powerful display which brings together images that depict the last phase of people's lives.

Jean-Paul Sartre, 1946

Insightful

Magazine article by Robert McFarlane, 2004

Henri-Cartier-Bresson invented the grammar for photographing life in the 20th century.

Portrait of George Selth Coppin

The Multifarious Career of George Selth Coppin

Magazine article by Dr Sarah Engledow, 2004

George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.

Steve Irwin

Crikey!

Magazine article by Dr Sarah Engledow, 2006

Robin Sellick captured a rare moment of quietude from the late conservation star Steve Irwin.

Betty Cuthbert

Hop, skip, shoot

Magazine article by Simon Elliott, 2004

Former NPG Deputy Director, Simon Elliott talks with Ern McQuillan about his life and career as a sports photographer.

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency