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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Self portrait with gladioli

Courage, Self-analysis and Skill

Magazine article by Andrew Sayers AM, 2002

The story behind George Lambert's Self-portrait with Gladioli.

John Clarke

Humour’s warm refuge

Magazine article by Angus Trumble, 2017

Angus Trumble pays tribute to John Clarke.

Margaret Whitlam

Glossy too

Magazine article by Christine Clark, 2005

The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.

Self portrait

In good company

Magazine article by Joanna Gilmour, 2015

Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.

The rose, 1927

The world of Thea Proctor

Magazine article by Dr Sarah Engledow, 2005

The world of Thea Proctor was the National Portrait Gallery's second exhibition to follow the life of a single person, following Rarely Everage: The lives of Barry Humphries.

Damon, singer, 2000 by Julian Opie

Movement is my radar

Magazine article by Michael Desmond, 2015

Michael Desmond charts the path of portraiture, arriving at Julian Opie’s digital realm.

Self portrait with gladioli

Facing Facts

Magazine article by Andrew Sayers AM, 2003

Former NPG Director, Andrew Sayers describes the 1922 Self-portrait with Gladioli by George Lambert.

Ethel Turner

Moving in creative circles

Magazine article by Joanna Gilmour, 2008

Harold Cazneaux's portraits of influential Sydneysiders included Margaret Preston and Ethel Turner, both important figures in the development of ideas about Australian identity and culture.

Sir Charles Lloyd Jones

Home and away

Magazine article by Dr Sarah Engledow, 2009

Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.

Hélène Kirsova in Petrouchka

Vintage Max

Magazine article by Gael Newton, 2003

Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.

David Campese II

Inspiration + Realisation: John Singer Sargent

Magazine article by Katherine Russell, 2006

Katherine Russell examines the art of Australian artist Paul Newton, referencing the portraiture of John Singer Sargent.

Virginia Woolf, 1902 George Charles Beresford

Love my way

Magazine article by Inga Walton, 2022

Inga Walton delves into the bohemian group of artists and writers who used each other as muses and transformed British culture.

Self portrait

Sir William Dargie CBE

Magazine article by Magda Keaney, 2003

Sir William Dargie, painter and eight times winner of the Archibald Prize for portraiture, died in Melbourne on July 26, 2003, aged 91.

Michael Kimmelman

Magazine article by Pamela Gray, 2002

Michael Kimmelman, Chief Art Critic of The New York Times and author of Portraits: Talking with Artists at the Met, the Modern, the Louvre and Elsewhere, presented the National Portrait Gallery Third Anniversary Lecture on 2 March 2002. He was generously brought to Australia by the Gordon Darling Foundation and Qantas.

Dr Edward MacMahon, 1959 by William Dobell

Bill and Ted's excellent portrait.

Magazine article by Dr Sarah Engledow, 2016

Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.

James Oswald Fairfax

The Fairfax Gift

Magazine article by Andrew Sayers AM, 2003

This article examines the portraits gifted to the National Portrait Gallery by Fairfax Holdings in 2003.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency