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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Henry Lawson

Regarding Henrys

Magazine article by Dr Sarah Engledow, 2015

Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.

Olegas Truchanas

Giving a dam

About Face article

Ensconced and meditative in crisp Tasmania, Joanna Gilmour pays tribute to passionate green advocate and photographer Olegas Truchanas.

Trevor Jamieson, 2016 by Brett Canet-Gibson

The more things change...

NPPP 2017 exhibition essay

General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.

Barry Humphries

No Laughing Matter

Magazine article by Simon Elliott, 2002

The biographical exhibition of Barry Humphries was the first display of its kind at the National Portrait Gallery.

Chevalier d’Eon, 1792

All dressed up

Magazine article by Jane Raffan, 2013

Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?

Sir William Charles Windeyer

Private virtues public lives

Magazine article by Joanna Gilmour, 2010

Family affections are preserved in a fine selection of intimate portraits.

Chris Wallace-Crabbe

Confessional conversations

The portraiture of Kristin Headlam

Magazine article by Fiona Gruber, 2015

Fiona Gruber investigates the work of Australian painter Kristin Headlam.

William Charles Wentworth -The Australian Patriot

The Wentworths – Hidden in Plain Sight

Magazine article by Dr Grace Blakeley-Carroll, 2015

Grace Carroll on the gendered world of the Wentworths.

Wesley Enoch and David McAllister

Splendid, many-splendoured

Magazine article by Sandra Bruce, 2021

Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.

Betty Bryant, c. 1939

The life of Bryant

Magazine article by Tenille Hands, 2018

Tenille Hands explores a portrait prize gifted to the National Screen and Sound Archive.

Self portrait, 1980
Alice Neel

Hard truths

Magazine article by Jennifer Higgie, 2022

Jennifer Higgie reveals how Alice Neel reinvigorated 20th century portraiture with her honest and perceptive depictions of the human experience.

Tempe Manning Self-portrait 1939

A potpourri of portraits

Magazine article by Natalie Wilson, 2023

Archie 100 curator (and detective) Natalie Wilson’s nationwide search for Archibald portraits unearthed the fascinating stories behind some long-lost treasures.

Jessie Street

Australia’s great internationalists

Magazine article by Penelope Grist, 2016

Penelope Grist explores the United Nations stories in the Gallery’s collection.

John Monash

Lauded legacy

Magazine article by Karl James, 2015

Karl James gives short shrift to doubts about the profile of General Sir John Monash.

David Marr, 2011 by Nicholas Harding

Nicholas Harding: 28 Portraits

Exhibition essay

General content

Sarah Engledow looks at three decades of Nicholas Harding's portraiture.

Sir Lawrence Wackett

Starry knight

Magazine article by Dr Sarah Engledow, 2010

Aircraft designer, pilot and entrepreneur, Sir Lawrence Wackett rejoins friends and colleagues on the walls of the National Portrait Gallery.

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency