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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The first Australian first-class cricket team to tour England and North America
The first Australian first-class cricket team to tour England and North America
The first Australian first-class cricket team to tour England and North America

The first Australian first-class cricket team to tour England and North America, 1878

A & G Taylor
Portrait, albumen photograph on carte de visite

Collection: National Portrait Gallery
Purchased 2013

Sketch of Clifton Pugh painting John Perceval
Sketch of Clifton Pugh painting John Perceval
Sketch of Clifton Pugh painting John Perceval

Sketch of Clifton Pugh painting John Perceval, 1985

Rick Amor
Portrait, pencil on paper

Collection: National Portrait Gallery
Gift of the artist 2016

Tim Winton

2020 Annual Appeal

Annual Appeal

In 2020 the Annual Appeal was focussed on Sally Robinson's remarkable portrait of author Tim Winton.

Jessie Street

First Ladies

Significant Australian Women 1913–2013
Previous exhibition, 2013

First Ladies profiles women who have achieved noteworthy firsts over the past 100 years.

Nicole Kidman

Australians in Hollywood

Magazine article by Simon Elliott, 2003

The exhibition Australians in Hollywood celebrated the achievements of Australians in the highly competitive American film industry.

Paul Grabowsky

Feel the music

Magazine article by Dr Christopher Chapman, 2010

Dr Christopher Chapman discusses the portrait of Australian composer Paul Grabowsky by photographer Martin Philbey.

James, Rebecca and Sam Mapu

Time and light

In Gallery Seven
Previous exhibition, 2023

This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.

Portrait of Henry Vernon Crock AO

Private practice

Magazine article by Joanna Gilmour, 2008
David Smith portrayed Dr Henry Crock without the accoutrements of an orthopaedic surgeon, adding to the National Portrait Gallery's collection of eminent Australian medical practitioners.
Blow Back
Blow Back
Blow Back

Blow Back, 2018

Julie Rrap
Portrait, pigment photographic prints on paper, hand ground glass

Gift of the artist 2024. Donated through the Australian Government’s Cultural Gifts Program.

Barry Humphries

Uncommon Australians

The vision of Gordon and Marilyn Darling
General content

Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.

Lee Kernaghan near Broken Hill

Australian of the Year

Inspiring a Nation
Previous exhibition, 2010

The Australian of the Year Awards have often provoked controversy about who is selected and whether their achievements are remarkable.

Patrick Ryan, 1968 by Mark Strizic

The silent partner

Magazine article by Dr Sarah Engledow, 2015

One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.

Dame Mary Gilmore

Painting writing

Magazine article by Dr Sarah Engledow, 2007

Dr Sarah Engledow explores the portraits of writers held in the National Portrait Gallery's collection.

Ned Kelly death mask

Sideshow Alley

Infamy, the macabre & the portrait
Previous exhibition, 2015

Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.

Dr Fiona Wood AM

The Good Doctor

Magazine article by Dr Sarah Engledow, 2005

Dr Sarah Engledow describes the achievements of internationally renowned burns and trauma surgeon Professor Fiona Wood.

Self portrait, 1954

A sketch for some portraits

Magazine article by Judith Pugh, 2005

Judith Pugh reflects on Clifton Pugh's approach to portrait making.

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency