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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Themes and variations (Annelies) A13, 1946

Listening to form

Magazine article by Jane Kinsman, 2007

National Gallery of Australia curator Jane Kinsman discusses the portraiture of Henri Matisse.

Stephanie Alexander, 2004

Masters of Fare

Magazine article by Andrew Sayers AM, 2004

The exhibition Masters of Fare: Chefs, Winemaking, Providores celebrates those who have championed the unique culinary characteristics and produce of Australia.

Peter Sculthorpe

Creative space

Magazine article by Eric Smith, 2004

Eric Smith describes the agony and finally the ecstasy of winning the 1982 Archibald Prize with the portrait of Peter Sculthorpe.

Chevalier d’Eon, 1792

All dressed up

Magazine article by Jane Raffan, 2013

Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?

M H Wednesday 11.15am from the series Self-harm, 2004

Big it up

Magazine article by Magda Keaney, 2005

Former National Portrait Gallery Curator Magda Keaney was a member of the selection panel of the Schwepes Photographic Portrait Prize 2004 at the National Portrait Gallery London.

Hugh Jackman

Portrait story

Magazine article by Vincent Fantauzzo, 2022

Artist Vincent Fantauzzo on dyslexia, connection and virtual sittings with Hugh Jackman.

Portrait of Ninette Dutton

In a glance

Magazine article by Dr Sarah Engledow, 2004

Dr Sarah Engledow explores the portrait of Ninette Dutton by Bette Mifsud.

Andrew Sachs (‘Manuel’)

Star signs

Magazine article by Barry York, 2018

Barry York charts the course from childhood request to autographed celebrity portrait anthology.

Self portrait

Self Creation

Magazine article by Andrew Sayers AM, 2006

Former National Portrait Gallery Director, Andrew Sayers recalls meeting iconic Australian artist Sidney Nolan.

123 Faces, 2002

123 Faces

Magazine article by Magda Keaney, 2002

Magda Keaney examines the 123 Faces project by Simon Obarzanek.

Michael Wardell – Country of birth: Ireland 2014 by Jacques van der Merwe

Look who's coming to dinner

Magazine article by Michael Wardell, 2016

Michael Wardell’s personal insight into Jacques van der Merwe’s New Arrivals.

Barbara Blackman

Restoring histories

Magazine article by Gillian Raymond, 2004

Photographic conservation practices and the restoration of the Barbara Blackman photographic portrait.

Hélène Kirsova in Petrouchka

Vintage Max

Magazine article by Gael Newton, 2003

Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.

John Coburn

101 photographic portraits

Magazine article by Michelle Fracaro, 2004

Pat Corrigan's generous gift of 100 photographic portraits by Greg Weight.

Self Portrait, Stuart Campbell by Stuart Campbell

The essence of you

Magazine article by Lee Tulloch, 2011

Lee Tulloch remembers her great friend NIDA-trained actor turned photographer Stuart Campbell.

Lindy Lee

The long game

Magazine article by Penelope Grist, 2020

Penelope Grist spends some quality time with the Portrait Gallery’s summer collection exhibition, Eye to Eye.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency