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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Waterfall in Australia, c. 1830 by Augustus Earle

Augustus serendipitous

Magazine article by Joanna Gilmour, 2016

The London-born son of an American painter, Augustus Earle ended up in Australia by accident in January 1825.

Chang the Chinese giant and party

The portrait writ large

Magazine article by Karen Vickery, 2015

Karen Vickery on Chang the Chinese giant in Australia.

‘Untitled’ - Yellow Kangaroo Paw, 2008 by Christian Thompson

The 'I' in Indigenous art

Magazine article by Jane Raffan, 2013

Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.

The Cutmear sisters, Jane and Lucy, c. 1842

A man of superior attainments

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.

Federal Statistician Knibbs

The numbers man

Magazine article by Dr Sarah Engledow, 2011

Dr. Sarah Engledow tells the story of Australia's first Federal statistician, Sir George Knibbs.

Mick Molloy

A serious man

Magazine article by Alistair McGhie, 2010

Alistair McGhie discusses Andrew MacColl's portrait photograph of Australian comedian Mick Molloy.

Edward Paine Butler

Poison pen

Magazine article by Michael Desmond, 2010

Michael Desmond examines the career of the eighteenth-century suspected poisoner and portrait artist Thomas Griffiths Wainewright.

Geo Face Distributor

Abstraction and figuration

Magazine article by Dr Christopher Chapman, 2009

James Angus discusses his major sculpture commission Geo Face Distributor with Christopher Chapman.

Artist and wife near Arthurs Seat, 1969

Through blue eyes

Magazine article by Dr Sarah Engledow, 2009

Works by Arthur Boyd and Sidney Nolan bring the desert, the misty seashore and the hot Monaro plains to exhibition Open Air: Portraits in the landscape.

Portrait of Lady Eyre Williams (Jessie Gibbon)

Chance encounter

Magazine article by Joanna Gilmour, 2009

Joanna Gilmour explores the life and times of one of Melbourne's early socialites, Jessie Eyre Williams.

Godfrey Miller

Form and reality

Magazine article by Dr Christopher Chapman, 2008

A photographic portrait by Kerry Dundas captures the contemplative mind of visionary painter Godfrey Miller.

Mrs Jordan, 1762-1816

One and all

Magazine article by Niamh MacNally, 2007

The current exhibition of portraits at the National Gallery of Ireland Print Gallery investigates just how paper-thin ideas of likeness are.

Sydney city (Patrick White and Tom Uren, Hiroshima Day demonstration), 1984

The activist A-list

Magazine article by Dr Sarah Engledow, 2007

Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.

"Just what is it that makes today's homes so different, so appealing?", 1956

Pop goes the preconception

Magazine article by Paul Moorhouse, 2007

A National Portrait Gallery, London exhibition redefines portraiture, shifting the focus towards a new perspective on Pop Art.

Leigh Bowery in Fur Coat

Hyperversity

Magazine article by Dr Sarah Engledow, 2006

Dr Sarah Engledow writes about the larger-than-life Australian performance artist, Leigh Bowery.

Les Murray

Poets' Portraits

Magazine article by Dr Sarah Engledow, 2005

The Portrait Gallery's paintings of two poets, Les Murray and Peter Porter, demonstrate two very different artists' responses to the challenge of representing more than usually sensitive and imaginative men.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency