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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Reg Richardson AM

Grow the Portrait Gallery of Australia

Archived media releases 2016

The Portrait Gallery is calling for contributions to support in the acquisition of superb portraits for the national collection.

First-Class Marksman, 1946 by Sidney Nolan

Money for Myth

Magazine article by Jane Raffan, 2015

Australian character on the market by Jane Raffan.

John Monash

Lauded legacy

Magazine article by Karl James, 2015

Karl James gives short shrift to doubts about the profile of General Sir John Monash.

Henry Lawson

Regarding Henrys

Magazine article by Dr Sarah Engledow, 2015

Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.

Patrick Ryan, 1968 by Mark Strizic

The silent partner

Magazine article by Dr Sarah Engledow, 2015

One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.

Andy Thomas

Uncommon Australians

The vision of Gordon and Marilyn Darling

Previous exhibition, 2015

This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.

Barry Humphries

Uncommon Australians

The vision of Gordon and Marilyn Darling

General content

Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.

James T. Donovan

James T. Donovan

James T. Donovan

James T. Donovan, 1892

Portrait, oil on canvas

Purchased 2015

Duchess of Cornwall and York (later Queen Mary)

Duchess of Cornwall and York (later Queen Mary)

Duchess of Cornwall and York (later Queen Mary)

Duchess of Cornwall and York (later Queen Mary), 1903

H. Walter Barnett

Portrait, platinum photograph

Collection: National Portrait Gallery
Gift of Peter Roberts 2015

Duchess of Cornwall and York (later Queen Mary)

Duchess of Cornwall and York (later Queen Mary)

Duchess of Cornwall and York (later Queen Mary)

Duchess of Cornwall and York (later Queen Mary), 1903

H. Walter Barnett

Portrait, platinum photograph

Collection: National Portrait Gallery
Gift of Peter Roberts 2015

Duchess of Cornwall and York (later Queen Mary)

Duchess of Cornwall and York (later Queen Mary)

Duchess of Cornwall and York (later Queen Mary)

Duchess of Cornwall and York (later Queen Mary), 1903

H. Walter Barnett

Portrait, platinum photograph

Collection: National Portrait Gallery
Gift of Peter Roberts 2015

Duke of Cornwall and York (later King George V)

Duke of Cornwall and York (later King George V)

Duke of Cornwall and York (later King George V)

Duke of Cornwall and York (later King George V), 1903

H. Walter Barnett

Portrait, platinum photograph

Collection: National Portrait Gallery
Gift of Peter Roberts 2015

Duke of Cornwall and York (later King George V)

Duke of Cornwall and York (later King George V)

Duke of Cornwall and York (later King George V)

Duke of Cornwall and York (later King George V), 1903

H. Walter Barnett

Portrait, platinum photograph

Collection: National Portrait Gallery
Gift of Peter Roberts 2015

Self portrait

Rick Amor: 21 Portraits

General content

Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.

National Portrait Gallery

History

How the National Portrait Gallery and its unique collection came to be

Chevalier d’Eon, 1792

All dressed up

Magazine article by Jane Raffan, 2013

Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?

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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency