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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Marilyn Ball, Albatross, 2018 (detail) by Linde Ivimey

So Fine

28 June 2018
Archived media releases 2018

Ten women artists explore the possibilities of portraiture as a contemporary art form; and reinterpret and reimagine Australian history in the Portrait Gallery’s new exhibition So Fine: Contemporary women artists make Australian history.

Marilyn Ball, Albatross, 2018 (detail) by Linde Ivimey

So Fine

17 May 2018
Archived media releases 2018

The National Portrait Gallery is pleased to announce its winter exhibition is So Fine: Contemporary women artists make Australian history. It will open to the public from 29 June 2018.

Portrait 59

Autumn 2018
Magazine

NPG Washington director Kim Sajet on the Obama portraits, Sarah Ball’s Immigrants, judging the NPPP, Frances Hodgkins, and Picnic at Hanging Rock.

The girls, 2017 by Tamara Dean

Snap decisions

Magazine article by Robert Cook, 2018

NPPP judge Robert Cook provides irreverent insight into this year’s fare, and having to be a bit judgemental.

Greek Orthodox Priest, 2015 by Sarah Ball

Hope for kindness

Magazine article by Dr Sarah Engledow, 2018

Sarah Engledow arrives at the junction of fate and hope in Sarah Ball’s poignant Immigrants series.

The blue of the dawn, 2009 by Vittoria Dussoni

NPPP 2011 exhibition essay

General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2011 Prize.

Portrait 58

Summer 2017-18
Magazine

Paul Cézanne, Bill Henson and Simone Young, Australian cinema’s iconic women, and feminist portraits by Kate Just.

David Marr, 2011 by Nicholas Harding

Through thick and thin

Magazine article by Dr Sarah Engledow, 2017

Sarah Engledow likes the manifold mediums of Nicholas Harding’s portraiture.

Hugo at home (Hugo Weaving)

Nicholas Harding

28 Portraits
Previous exhibition, 2017

Nicholas Harding: 28 portraits features paintings of Robert Drewe, John Bell and Hugo Weaving alongside gorgeously coloured recent oil portraits, delicate gouaches and bold ink and charcoal drawings.

David Marr, 2011 by Nicholas Harding

Nicholas Harding: 28 Portraits

Exhibition essay
General content

Sarah Engledow looks at three decades of Nicholas Harding's portraiture.

Richard Morecroft & Alison Mackay

National Photographic Portrait Prize 2017

Previous exhibition, 2017

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Trevor Jamieson, 2016 by Brett Canet-Gibson

The more things change...

NPPP 2017 exhibition essay
General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.

Portrait 56

Autumn 2017
Magazine

Browse the history of the National Photographic Portrait Prize, Cayce Zavaglia's embroidered portraiture, and modern wedding photography!

NPPP finalists

20 20

Magazine article by Dr Sarah Engledow, 2017

Sarah Engledow picks some favourites from a decade of the National Photographic Portrait Prize.

Billie, 2016 by Graeme Drendel

In your dreams

Magazine article by Dr Sarah Engledow, 2016

An excerpt from The Popular Pet Book.

Billie, 2016 by Graeme Drendel

Conversations with the artists

A Popular Pet Show documentary
General content

Exhibition curator Sarah Engledow, explores the creativity of the Popular Pet Show artists and their love for their animals.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency