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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Search / john webber

Sydney Cove medallion, 1789 by Josiah Wedgwood

The medallion

About Face article

In recent years I have become fascinated by the so-called Sydney Cove Medallion (1789), a work of art that bridges the 10,000-mile gap between the newly established penal settlement at Port Jackson and the beating heart of Enlightenment England.

William Bligh

William Bligh

William Bligh

William Bligh, c. 1776

Portrait, oil on canvas

Purchased with funds provided by the Liangis family 2015

National Portrait Gallery

History

How the National Portrait Gallery and its unique collection came to be

Captain Cook

'The photojournalists of their time'

An exploration of the role of artists such as John Webber who, whilst a member of Cook’s crew over many voyages, created paintings and drawings of the situations and people the explorers encountered.

Portrait of Dr Johann Reinhold Forster and his son George Forster

To the end of the earth

Magazine article by Dr Sarah Engledow, 2009

The portrait of Dr. Johann Reinhold Forster and his son George Forster from 1780, is one of the oldest in the NPG's collection.

The National Portrait Gallery

In the galleries

Magazine article by Dr Christopher Chapman, 2009

Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.

Portrait of Captain James Cook RN

Cook in context

Magazine article by Diana Warnes, 2007

Robert Oatley's continuing benefaction has helped the National Portrait Gallery acquire works that add another layer to the story of Captain Cook.

Karee Kayvon, 2006

Virtual lives

Magazine article by Gillian Raymond, 2007

A brief introduction to the Weird, Wired World of Internet Portraiture.

Captain James King, engraving after Webber

Captain James King, engraving after Webber

Captain James King, engraving after Webber

Captain James King, engraving after Webber, 1784

Francesco Bartolozzi after John Webber

Portrait, engraving on paper

Collection: National Portrait Gallery
Purchased with funds provided by Robert Oatley AO 2007

Captain James Cook, engraving after John Webber

Captain James Cook, engraving after John Webber

Captain James Cook, engraving after John Webber

Captain James Cook, engraving after John Webber, 1784

Francesco Bartolozzi after John Webber

Portrait, engraving on paper

Collection: National Portrait Gallery
Purchased with funds provided by Robert Oatley AO 2007

The Death of Captain Cook

The Death of Captain Cook

The Death of Captain Cook

The Death of Captain Cook, 1784

Francesco Bartolozzi, William Byrne after John Webber

Portrait, engraving on paper

Collection: National Portrait Gallery
Purchased with funds provided by Robert Oatley AO 2007

Portrait of Professor Graeme Clark

Portraits for Posterity

Previous exhibition, 2006

Drawn from some of the many donations made to the Gallery's collection, the exhibition Portraits for Posterity pays homage both to the remarkable (and varied) group of Australians who are portrayed in the portraits and the generosity of the many donors who have presented them to the Gallery.

Dr Peter Farrell

Giving and getting

Magazine article by Michael Desmond, 2006

The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.

Pierre de Rigaud de Vaudreuil de Cavagnial, Marquis de Vaudreuil, ca.1753-55

Canadian identities

Magazine article by Lilly Koltun, 2004

An exploration of national identity in the Canadian context drawn from the symposium Face to Face at the Scottish National Portrait Gallery in 2004.

Sir Macfarlane Burnet

Picture this...

Magazine article by Andrew Sayers AM, 2003

This edited version of a speech by Andrew Sayers examines some of the antecedents of the National Portrait Gallery and set out the ideas behind the modern Gallery and its collection.

Portrait of Captain James Cook RN

Capturing Cook

Magazine article by Dr Sarah Engledow, 2003

In focussing on the importance of gifts in the building of the collection, prominence must be given to the most spectacular of the National Portrait Gallery's acquisitions; the portrait of Captain James Cook RN by John Webber R.A.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency