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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Portrait of Professor Derek Freeman

Paper weight

Magazine article by Joanna Gilmour, 2022

Joanna Gilmour delves into a collection display that celebrates the immediacy and potency of drawing as an art form in its own right.
dumb & dumber from The Imponderable Archive, 2013 Samuel Hodge

Everything, everyqueer, all at once

Magazine article by Bradley Vincent, 2022

Bradley Vincent considers Samuel Hodge’s use of the archive to create a queer vernacular of portraiture.
Latai Taumoepeau holding a blanket to her body while standing on the platform at a train station

Latai Taumoepeau

Artists and Collectives

Latai Taumoepeau, based on Gadigal Country, makes live-art-work drawing her faivā (temporal practice) from her homelands, the Island Kingdom of Tonga, centres Tongan philosophies to make visible the impact of climate crisis in the Pacific.
Nell standing in her workshop next to a cross legged sculpture

Nell

Artists and Collectives

Nell is a multidisciplinary artist based on Gadigal land in the Eora Nation, Sydney. Her work fuses mythological, spiritual and popular cultural iconography.
Dylan Mooney sitting on a chair in front of a wall with paintings and drawings

Dylan Mooney

Artists and Collectives

Dylan Mooney, a proud Yuwi man from Mackay, Queensland, based in Meanjin/Brisbane, works across painting, printmaking, digital illustration and drawing, visually translating stories of resilience, survival, connection and love.
Deborah Kelly sitting on a blue couch in a room with artworks on the walls

Deborah Kelly

Artists and Collectives

Deborah Kelly, based between Gadigal Country, Sydney and Jerrinja Country, Currarong, is known for her multi-disciplinary, exuberant and diverse participatory collages and costumes that come to life in workshops and performances.
Julie Gough sitting in the back of a red vehicle while holding binoculars, with sheep grazing in a field in the background

Julie Gough

Artists and Collectives

Artist, curator and writer Julie Gough, Trawlwoolway through her maternal family, recover and re-presents unsettling and conflicting histories in Lutruwita/Tasmania, where her traditional homeland is Tebrikunna, in the north-east.
Abdul Abdullah in his studio with large windows overlooking a suburban street

Abdul Abdullah

Artists and Collectives

Abdul Abdullah, a multi-disciplinary artist identifying as a Muslim and with both Malay/Indonesian and convict/settler Australian heritage, explores concepts of the ‘other’ in his highly distinctive practice based on Gadigal Country.
Groups of four and three people on a theatre stage in front of a dark curtain

stArts with D Performance Ensemble

Artists and Collectives

Based in Mparntwe/Alice Springs and the Central Desert Region, stArts with D disability-led performance ensemble collaborates, creates, and presents original works celebrating identity, place and belonging.
Dulcie Sharpe and Rhonda Sharpe in a room with a brown tile floor, next to a wooden table with soft animal sculptures

Yarrenyty Arltere Artists

Artists and Collectives

A not-for-profit Aboriginal owned and run art centre, Yarrenyty Arltere Artists in Mparntwe/Alice Springs are known for their unique and distinctive soft sculptures that reveal stories and experiences of life in their community.
Installation of ‘Face to Face: The New Normal’ at Wagga Wagga Regional Gallery, 2021 Vic McEwan

Facing the feeling

About Face article

Penelope Grist explores the interplay between medicine and portraiture in Vic McEwan’s Face to Face: The New Normal.
Dr John Janson-Moore

Dr John Janson-Moore

Vox pops

The Zammitt Family is part of a massive series of mine that I've been doing since early 2020, documenting COVID in and around Sydney.
Judy Davis and Sam Neill in ‘My Brilliant Career’, 1979 David Kynoch

Moving still

Magazine article by Anne O'Hehir, 2022

Anne O’Hehir on the seductive power of the film still to reflect and shape ourselves and our cultural landscape.
Silent Strength, 2021 Wayne Quilliam

National Photographic Portrait Prize 2022

Previous exhibition, 2022

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
William Shakespeare, c. 1600-1610 associated with John Taylor

Take thy face hence

Magazine article by Joanna Gilmour, 2022

Joanna Gilmour travels through time to explore the National Portrait Gallery London’s masterpieces in Shakespeare to Winehouse.
Mary Chomley

Women make history

Magazine article by Jennifer Higgie, 2022

Jennifer Higgie uncovers the intriguing stories behind portraits of women by women in the National Portrait Gallery’s collection.
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Phone +61 2 6102 7000
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency