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By the end of the 1970s, Charles Blackman OBE’s (1928–2018) status as a premier Australian artist was cemented. Perhaps best known for his series of paintings incorporating schoolgirls with flowers and Alice in Wonderland figures and motifs, he exhibited prolifically throughout his life. Judy Cassab AO CBE painted this portrait of her friend in 1979. Captured at the height of his career, Blackman is depicted as a confident and successful artist, comfortable in his surroundings, and portrayed through Cassab’s signature expressionist style. Shortlisted for the 1979 Archibald Prize, the painting shows Blackman in his then synonymous beret, seated before a large, leaning painting of a reclining nude. Cassab made another portrait of Blackman 20 years later, saying: ‘I painted Charles Blackman first of all because he is a great artist – in the sense that he is poetic, lyrical and inventive – and because he is a friend.’
Gift of Warwick Evans 2021. Donated through the Australian Government's Cultural Gifts Program.
© Judy Cassab/Copyright Agency, 2026
Mr Warwick Evans (1 portrait)



On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves.



Aimee Board traces Judy Cassab’s path to the Australian outback, arriving at the junction of inspiration and abstraction.



Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.