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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Sketch for portrait of Tom Uren, 1972

Clifton Pugh

oil and enamel on hardboard (frame: 112.0 cm x 119.5 cm, support: 106.5 cm x 114.0 cm)

Tom Uren AC (1921–2015), politician and urban conservation activist, was a strong campaigner on environmental and urban-planning issues and rights for war veterans. Born and raised in the working-class suburb of Balmain, Sydney (where he lived for most of his life), he aspired early to a boxing career. He became active in left-wing politics after the war, during which he was a prisoner of the Japanese. Becoming member for the western Sydney electorate of Reid in 1958, he held the seat until he retired in 1990. He was minister for urban and regional development in the Whitlam government and deputy opposition leader in the Fraser years; in the Hawke government he held several portfolios. Uren’s autobiography, Straight left, was published in 1994.

Clifton Pugh and Tom Uren met at an ALP luncheon at Pugh’s house in the early 1970s, and each responded quickly to the other’s blend of idealism and manliness. Biographer Sally Morrison recalls that the artist called Uren ‘the big hug, the romantic man’. In turn, biographer Traudi Allen writes that as Uren opened an exhibition of Pugh’s in 1974, he said ‘Pugh is so Australian, so giving, so creating, so sharing . . . he’s gentle, he’s lovable, he’s cruel, he’s a great Australian.’ From 1992, when they married, Tom Uren and Christine Logan lived in East Balmain, Sydney, in a house designed for them by architect Richard Leplastrier. This painting hung above their fireplace.

Collection: National Portrait Gallery
Gift of Tom Uren's family 2017
Donated through the Australian Government’s Cultural Gifts Program

Accession number: 2017.54

Currently not on display

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Artist and subject

Clifton Pugh (age 48 in 1972)

Tom Uren AO (age 51 in 1972)

Subject professions

Government and leadership

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

Gloves off (Tom Uren), 1996 Ralph Heimans
Gloves off (Tom Uren), 1996 Ralph Heimans
Gloves off (Tom Uren), 1996 Ralph Heimans
Gloves off (Tom Uren), 1996 Ralph Heimans

Tribute

Tom Uren AC

Magazine article, 2015

Edward Tom Uren AC (1921-2015), former Deputy Leader of the Australian Labor Party, was a major campaigner on environmental and urban-planning issues and rights for veterans.

Clifton Pugh painting in the studio, 1974 Fred Williams
Clifton Pugh painting in the studio, 1974 Fred Williams
Clifton Pugh painting in the studio, 1974 Fred Williams
Clifton Pugh painting in the studio, 1974 Fred Williams

Painting mates

Magazine article by Michael Desmond, 2011

Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.

Sydney city (Patrick White and Tom Uren, Hiroshima Day demonstration), 1984
Sydney city (Patrick White and Tom Uren, Hiroshima Day demonstration), 1984
Sydney city (Patrick White and Tom Uren, Hiroshima Day demonstration), 1984
Sydney city (Patrick White and Tom Uren, Hiroshima Day demonstration), 1984

The activist A-list

Magazine article by Dr Sarah Engledow, 2007

Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.