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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Portrait of Douglas Annand, 1941

Max Dupain

gelatin silver photograph on paper (mount: 43.0 cm x 46.0 cm, sheet: 40.0 cm x 43.0 cm, image: 38.5 cm x 43.0 cm)

Douglas Annand (1903-1976) moved to Sydney from Brisbane, where he had worked in a bank, in 1930. In 1932 he was joint winner of a competition to design a poster commemorating the opening of the Sydney Harbour Bridge. Before long he was Australia’s most celebrated advertising designer, his projects including the ceiling of the Australian Pavilion at the Paris exposition in 1937, and the overall design of the Australian pavilion at the New York World’s Fair in 1938-1939. From 1941 to 1944 he worked as an RAAF camouflage artist in Queensland and the Northern Territory; in 1944 he held his first solo exhibition at David Jones’s Gallery in Sydney. He created textile and mural designs for Jantzen and Holeproof, covers for Meanjin and the Home, scarves and the Australian ‘kangaroo’ penny, and advised on the design of the new decimal currency in the early 1970s. He made murals for the P&O headquarters in Sydney, the office of radio station 2UE radio station, Wilson Hall at the University of Melbourne and the Mildura Base Hospital; in 1966, he moved into more architectural forms with large glass structures for CSR in Sydney. In 1970 he made a 16-metre ‘comet’ mural for the Arrivals Hall at Sydney International Airport. Annand won the Sir John Sulman Award for his work in 1941, 1947 and 1951. Many of his murals have been demolished, but those that have been preserved, such as the Dalton Building Café mural at the University of New South Wales (1958) are recognised as essential expressions of Australian modernism.

Collection: National Portrait Gallery
Gift of Danina Anderson, daughter of Max Dupain 2017
Donated through the Australian Government's Cultural Gifts Program

Accession number: 2017.16

Currently not on display

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Artist and subject

Max Dupain (age 30 in 1941)

Douglas Annand (age 38 in 1941)

Donated by

Danina Anderson (34 portraits)

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

Sydney Ure Smith, 1948 Max Dupain
Sydney Ure Smith, 1948 Max Dupain
Sydney Ure Smith, 1948 Max Dupain
Sydney Ure Smith, 1948 Max Dupain

Dupain detective

Magazine article by Johanna McMahon, 2019

Johanna McMahon revels in history and mystery in pursuit of a suite of unknown portrait subjects.

Hélène Kirsova in Petrouchka, 1936-37 Max Dupain
Hélène Kirsova in Petrouchka, 1936-37 Max Dupain
Hélène Kirsova in Petrouchka, 1936-37 Max Dupain
Hélène Kirsova in Petrouchka, 1936-37 Max Dupain

Vintage Max

Magazine article by Gael Newton, 2003

Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.