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type C photograph on paper, edition 1/7 (frame: 103.0 cm x 103.0 cm, sheet: 100.0 cm x 100.0 cm)
Alexis Wright (b. 1950), author and activist, won the Miles Franklin Award in 2007 for her novel Carpentaria and the 2018 Stella Prize for her collective memoir Tracker. A woman of the Waanyi nation of the Gulf of Carpentaria, Wright was raised by her mother and grandmother in Cloncurry, her non-Aboriginal cattleman father having died when she was five years old. Her first novel, Plains of Promise, was published in 1997 and was shortlisted for the Commonwealth Writers Prize, a New South Wales Premier’s Literary Award and the Age Book of the Year. Throughout the ensuing decade Wright’s short stories and essays were included in a number of anthologies and in journals such as Overland, Australian Humanities Review and Southerly, and her criticism appeared in The Age and Meanjin, among other publications. Carpentaria, a 500-page-long novel about an Aboriginal family from the Gulf, was written in a style incorporating ‘the way we tell stories and in the voice of our own people and our own way of speaking’, and was initially rejected by several publishers. On its eventual appearance in 2006, however, it won a slew of awards including the Victorian, New South Wales and Queensland’s Premier’s Literary Awards for Fiction; the Australian Book Industry Award for Book of the Year; and the Australian Literary Society’s gold medal, in addition to the Miles Franklin. Her third novel The Swan Book (2014) was also awarded the ALS gold medal and was shortlisted for the Miles Franklin and the Victorian and New South Wales Premier’s Awards. In addition, through her work as a researcher, activist and consultant with various Aboriginal organisations, she has published widely on Indigenous issues and land rights in Australia and overseas. Her non-fiction titles as author and editor include Grog War (1997), examining alcohol abuse in the Northern Territory, and Take Power (1998), an anthology of writing on land rights in Central Australia. Wright has undergraduate qualifications in social studies and creative writing and a doctorate from RMIT. She is currently a Distinguished Fellow of the Writing and Society Research Centre at the University of Western Sydney.
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This is a photographic portrait of Aboriginal author and activist – Alexis Wright. Photo by Ingvar Kenne, 2009.
The portrait is approx. one metre square showing a full length, standing view of Alexis in a blackened, burnt-out landscape of predominately bare trees. The upper half of the photograph features a pale, greyish-white sky with tall, burnt tree trunks extending up and out to the sky beyond. In the upper left corner, several trees twist and bend across each other.
In the background and halfway down the photo, the hazy curve of a distant hill crosses through the landscape. Numerous blackened and bare trees cover the sloping ground in front.
The figure of Alexis occupies the centre and lower half of the scene. To the left of Alexis and slightly behind, a large black tree trunk stands tall, reaching up and out beyond the portrait. Sprouting from the trunk are several bright green patches of leafy new growth.
Alexis stands on a sloped area of ash covered earth, left blackened and charred by fire. She looks directly at us, eyes squinting, mouth closed, with a look of sadness or dismay. Her auburn shoulder length hair is slightly curly, and part of her fringe is swept back. A segment hangs raggedly on her forehead.
The left side of her body is angled slightly forward, and she wears a black round- necked top under a black zippered jacket. Her zipper open to mid-torso, the jacket lining and collar is a dark grey,. Both her hands are tucked into her practical jacket pockets. Her pale right hand is partly visible.
Alexis wears long black pants and tan coloured moccasins.
Burnt branches, twigs and debris are scattered around her.
Audio description written by Pauline McCreath and voiced by Rory Walker
