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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Angus Young, 2003 (printed 2014)

Ingvar Kenne

type C photograph on paper (frame: 103.0 cm x 103.0 cm, sheet: 100.0 cm x 100.0 cm)

Angus Young (b. 1955), guitarist and songwriter, was a founding member of Australia's most successful ever band, AC/DC. Glasgow-born, he and his older brother Malcolm formed the band in Sydney in 1973, with Angus soon adopting his trademark school uniform and energetic antics onstage. The band’s line-up was confirmed in 1974 when Ronald 'Bon' Scott joined AC/DC as lead singer. Between 1975 and 1977 they released their first five studio albums, all co-written by Angus, Malcolm and Bon. With four huge singles in Australia, the band was signed to an international deal, but American success did not come until the title track from their sixth album Highway to Hell reached number 17 on the US charts in 1979. The multi-platinum album was the last to feature Scott, who died of alcohol poisoning in London in February 1980. Significantly, however, largely thanks to Angus Young's star status, the band weathered the loss of Scott and his replacement by Brian Johnston. Back in Black was released five months after Scott's death and vastly outsold the band’s previous albums, going platinum 22 times in the USA alone. AC/DC have since released a further nine studio albums. In 2014 Malcolm Young retired due to worsening dementia; he was replaced as rhythm guitarist by his nephew Stevie. Johnston left in 2014 having been advised that he risked total hearing loss if he continued with the band. Angus Young is the only band member remaining from the heydays of the late 70s and early 80s. A biography of him, High Voltage: the life of Angus Young, was released in 2017. Back in Black is still held to be the second-highest-selling album of all time worldwide, after Michael Jackson's Thriller; and it is the USA’s fifth-highest selling album ever.

Collection: National Portrait Gallery
Gift of the artist 2017
Donated through the Australian Government's Cultural Gifts Program
© Ingvar Kenne

Accession number: 2017.142

Currently not on display

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Artist and subject

Ingvar Kenne (age 38 in 2003)

Angus Young (age 48 in 2003)

Subject professions

Performing arts

Donated by

Ingvar Kenne (14 portraits)

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

Cormac + Callum Kenne, My Children, Sydney, Australia, 2009
Cormac + Callum Kenne, My Children, Sydney, Australia, 2009
Cormac + Callum Kenne, My Children, Sydney, Australia, 2009
Cormac + Callum Kenne, My Children, Sydney, Australia, 2009

Citizen Kenne

Magazine article by April Thompson, 2013

April Thompson explores an exhibition of Ingvar Kenne’s global portrait project.

Bon Scott & Angus Young, Atlanta, Georgia, 1978 (printed 2010) Rennie Ellis
Bon Scott & Angus Young, Atlanta, Georgia, 1978 (printed 2010) Rennie Ellis
Bon Scott & Angus Young, Atlanta, Georgia, 1978 (printed 2010) Rennie Ellis
Bon Scott & Angus Young, Atlanta, Georgia, 1978 (printed 2010) Rennie Ellis

No shirt, no service

Magazine article by Dr Sarah Engledow, 2010

Bon Scott and Angus Young photographed by Rennie Ellis are part of a display celebrating summer and images of the shirtless male.

Miranda Otto, 1997 Montalbetti & Campbell
Miranda Otto, 1997 Montalbetti & Campbell
Miranda Otto, 1997 Montalbetti & Campbell
Miranda Otto, 1997 Montalbetti & Campbell

Eye to eye

Previous exhibition, 2019

Eye to Eye is a summer Portrait Gallery Collection remix arranged by degree of eye contact – from turned away with eyes closed all the way through to right-back-at-you – as we explore artists’ and subjects’ choices around the direction of the gaze.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.