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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Florence Cardell-Oliver

Broothorn Studios

gelatin silver photograph on paper laid on photography studio backing board (mount: 30.4 cm x 35.4 cm, image/sheet: 15.0 cm x 19.2 cm)

Broothorn studios, at 230 Collins Street Melbourne, were opened by the Lord Mayor of Melbourne in September 1909. The studios were designed and decorated by ‘the Kalizoic’ (decorators and art furnishers, importers of Persian Russian and Turkish carpets, tiger, wolf and fox furs, Armenian handiworks, English Continental and American furnishings; proprietor Miss Pearce) and and featured dark violet woodwork and stained glass windows -one, of an English terraced garden with peacocks, by George Dancey. One of the studio’s early portrait subjects was Melba. Specialists in wedding and children’s photography, like other photography studios Broothorn employed many women. In 1938 an explosion and fire at the premises was widely reported; at that time the manageress was Miss Thelma Naunton, and ten junior female employees were treated for minor burns and shock. Not only was there extensive damage to the building and furnishings in the blast, but thousands of negatives and dozens of portraits burned. The business survived, however, and was still advertising at the same address into 1956. Broothorn’s scores of well-known sitters include Stanley Bruce, Dorothy Tangney, John Forrest, John Monash, WM Hughes, Lord Gowrie, Walter Burley Griffin and Sidney Myer.

Collection: National Portrait Gallery
Gift of Chris Nielsen 2016

Subject professions

Government and leadership

Donated by

Chris Nielsen (1 portrait)

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The National Portrait Gallery is an Australian Government Agency