Skip to main content

The National Portrait Gallery is temporarily closed to the public until further notice.

Menu

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Self portrait

1870
William H. Bardwell

albumen silver carte de visite photograph (support: 10.6 cm x 6.3 cm, image: 9.4 cm x 6.0 cm)

Photographer William H. Bardwell (life dates unknown), worked at various studios in Ballarat from 1858 until 1895. In 1859, he was in partnership with Saul Solomon; they specialised in portraiture and providing photographs of the town from unusual vantage points, some of which were lithographed for The Ballarat Album (1859). Together, he and Solomon exhibited portraits at the 1862 Geelong Industrial Exhibition, where they received special commendation for their ‘sennotype’ process, a process consisting of two albumen prints, one waxed and one hand-coloured, mounted with glass plate. The two also exhibited their portraits in the 1863 Ballarat Mechanics’ Institute Exhibition. The same year, the Argus reported that Bardwell had captured the laying of the foundation stone of the Sturt Street Burke and Wills memorial from the roof of the Post Office. In the late 1860s he photographed a visiting troupe of Japanese gymnasts, and in 1871 he took photographs of Chang the Chinese Giant and his entourage. Bardwell exhibited photographs of Ballarat at the Intercolonial Exhibition in Sydney in 1870, offering prints at the substantial price of £6 each, and had a photographic panorama of Ballarat among his views of its buildings and streets in the Victorian section of the London International Exhibition of 1873. From his studio at 11 Royal Arcade, Melbourne, William Bardwell exhibited photographs at the Melbourne Centennial International Exhibition 1888–1889. In this self-portrait we see Bardwell in standing pose, dressed in stately attire, his frock coat with lowered waistline and three-piece suit characteristic of the period. Supported by a chair and his walking cane, Bardwell projects a stately figure with his hat tidily atop his head.

In 1866, William Bardwell established the Royal Photographic Studio independently of Solomon, an advertisement in the Clunes Gazette announcing, 'The studio is every way replete with suitable accommodation for the preparation of toilet and rooms are provided for both ladies and gentlemen. Mr Bardwell’s long and practical example will entitle him to the claim to the first position in Ballarat as a photographer.’ Bardwell took advantage of his studio’s close proximity to the Theatre Royal, producing photographs for visiting theatre groups and operatic companies. Along with actresses and actors coming and going, Bardwell catered for the upper echelons of Ballarat society. Boasting the ‘best appointed Studio in the colonies’, one could imagine Bardwell’s studio was flooded with natural light, his darkroom in complete darkness for the meticulous preparation of plates, paper and photographic chemicals used to render surfaces sensitive to light. Bardwell went into partnership with John Beauchamp at Ballarat for some part of 1878, before relocating to open his studio in Melbourne later that year. Bardwell’s Royal Studios at Ballarat remained active throughout the 1880s under the operation of Mr Williams while William Bardwell remained in Melbourne.

Collection: National Portrait Gallery
Purchased 2015

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

William H. Bardwell (age 34 in 1870)

Subject professions

Visual arts and crafts

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

Lady Barkly
Lady Barkly
Lady Barkly
Lady Barkly

Carte-o-mania!

Previous exhibition, 2018

Drawn from the NPG’s burgeoning collection of cartes de visite, Carte-o-mania! celebrates the wit, style and substance of the pocket-sized portraits that were taken and collected like crazy in post-goldrush Australia.

The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance

The Gallery

Visit us, learn with us, support us or work with us! Here’s a range of information about planning your visit, our history and more!

© National Portrait Gallery 2021
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency