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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

The Awakening (Self portrait)

1946
Vlase Zanalis

oil on masonite (frame: 137.0 cm x 117.0 cm, support: 122.0 cm x 100.0 cm)

Palassis (Vlase, Vlazio or Vlasio) Zanalis arrived in Western Australia as a twelve-year-old from the Greek island of Kastellorizo in 1914. After working in his uncles’ oyster saloon for several years he began studying art, enrolling at the Perth Technical School in the early 1920s. He later gained commissions for portraits and personal icons from the Greek community, and in the 1930s he commenced his work in churches, creating icons, paintings and decorations for Greek churches in Innisfail, Sydney, Bunbury, Geraldton and West Perth. In 1939 Zanalis completed the iconostasis featuring 24 small paintings of episodes from the life of Christ, the large cross and wall murals and doors for the new Greek Orthodox church in Perth. He was a Christian Scientist himself, but iconography supplied his stable income even as he pursued his own favourite subjects: landscapes through the 1940s, and Aboriginal activities and dreamings from 1949. Ultimately, he had 88 paintings on Indigenous themes on the walls of his Kalamunda studio, but the works did not sell well, nor did Zanalis manage to interest a museum in acquiring them. Finally, his widow donated 33 paintings to the University of Western Australia and eleven to Curtin University.

This work, Zanalis’s only known self-portrait, was the centerpiece of an exhibition of 47 landscapes held in Perth in 1948.

Purchased 2015

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Vlase Zanalis (age 44 in 1946)

Subject professions

Visual arts and crafts

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency