Mirka Mora (1928–2018), French-born artist and restaurateur, was loved as much for her contributions to contemporary art as for her generous and outrageous nature. Having narrowly escaped Auschwitz as a girl, Mora trained in drama in Paris. By 1951, when she came to Melbourne with her husband, Georges, she was committed to painting. Soon the couple became friends with the city's leading artists and collectors, and were instrumental in the re-formation of the Contemporary Art Society. Over the 1950s and 1960s they opened the European-style Mirka Café in Exhibition Street, Balzac in East Melbourne and the Tolarno in St Kilda. While Georges established himself as an art dealer, opening Tolarno Galleries in 1967, Mirka became a bohemian icon of the city. She worked prolifically for six decades across a range of media and is represented in many state and regional collections.
In the mid-1960s Lazar Krum took several portraits of Mora and her family at her studio/home on Collins Street. Defined by affection and warmth, the photographs provide an insight into the character of the artist. In this image, Mora stands with her son, Philippe in front of one of her murals featuring characteristic softly rounded, angelic figures; she regards the lens with twinkling eyes and crossed arms.
Gift of the artist 2015
The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the
Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a
Reproduction request. For further information please contact
NPG Copyright.
