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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Hardtmuth 'Hottie' Lahm

1973
Nora Heysen AM

oil on canvas laid on board (frame: 110.0 cm x 94.5 cm, sight: 89.0 cm x 73.5 cm)

Hardtmuth Lahm (1912-1981), commercial artist and cartoonist, came to Australia from Estonia as a sixteen-year-old. Having studied art at East Sydney Technical College, where, for his volatile personality, he gained the nickname Hotpoint (Hottie, for short), in the 1930s he began to contribute to Smith’s Weekly and the Bulletin. In 1937 he commenced his long relationship with Associated Newspapers, supplying covers, caricatures and cartoons for the Sun group of publications. Between 1936 and 1974 he drew the iconoclastic dog Snifter for the slightly risqué Man magazine, which, while inspired by the American Esquire, boasted exclusively Australian writers and artists. During World War 2 the incontinent scallywag was a popular mascot for members of the Armed Forces and was the protagonist of several collected volumes including Mr Snifter, Snifter of the Secret Service, Snifter’s Post War Plan and Snifter’s War Effort (a fundraiser for an AIF ambulance, the jokes in which revolve around the availability of objects for Snifter to urinate against: a circus elephant’s foot, a sailor’s wooden leg, a fireman’s pole, the North Pole). Snifter Junior appeared inside the back cover of the spinoff publication Man Junior for some years. Lahm illustrated a number of children’s books, including The Antics of Algy, and the David and Dawn and Search for the Golden Boomerang books that paralleled children’s radio serials during the war. He wrote and illustrated Paddy Bow Wow (1947). From 1941, Lahm lived at 5 Woolwich Road in the slightly arty enclave of Hunters Hill; his brother-in-law was Cyril Pearl and his friends included Hal Missingham, Bill Pidgeon, William Dobell, Tom Bass and Nora Heysen. A good deal of his original artwork disappeared in the course of various newspaper closures and takeovers.

Collection: National Portrait Gallery
Gift of June Lahm 2015
Donated through the Australian Government's Cultural Gifts Program
© Estate of Nora Heysen

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Nora Heysen AM (age 62 in 1973)

Hardtmuth Lahm (age 61 in 1973)

Subject professions

Visual arts and crafts

Donated by

June Lahm (1 portrait)

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

Hardtmuth 'Hottie' Lahm
Hardtmuth 'Hottie' Lahm
Hardtmuth 'Hottie' Lahm
Hardtmuth 'Hottie' Lahm

Hottie's Snifter to port

Magazine article by Peter Jeffrey, 2016

Peter Jeffrey trips the hound nostalgic.

Nora Heysen

'This peaceful spot'

Portrait story

Australian artist, Nora Heysen, discusses her childhood and the development of her career.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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