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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Emily Kame Kngwarreye, 1995

Jenny Sages

charcoal on paper (sheet: 23.5 cm x 16.5 cm)

Emily Kame Kngwarrey (Kngwarreye) (c.1910–1996), Anmatyerre artist, was born at Alhalkere, Utopia Station in the Northern Territory. After her ancestral land was appropriated for cattle grazing, she worked as a stockhand. As she grew older she became a leader in women’s ceremonial business, experienced in ceremonial body painting. From 1977 she collaborated in the production of batik, an important industry for the Anmatyerre after they regained land title. She first painted on canvas in 1988. In the course of her brief career she produced thousands of canvases depicting the flowers, roots, dust and summer rains of her country, the translucent colours built up with layered touches of paint to create an illusion of depth and movement. In 1998 a retrospective exhibition of Kngwarreye’s work, Alhalkere – Paintings from Utopia, travelled to three state galleries and the National Gallery of Australia. Ten years later Utopia: The Genius of Emily Kame Kngwarrey, an exhibition of 120 of the artist’s works, showed in Osaka and Tokyo. With that exhibition, Kngwarreye was recognised as one of the very greatest abstract artists of the twentieth century.

Collection: National Portrait Gallery
Bequest of Alan Boxer 2014
© Jenny Sages

Accession number: 2014.73

Currently not on display

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Artist and subject

Jenny Sages (age 62 in 1995)

Emily Kame Kngwarreye (age 85 in 1995)

Subject professions

Visual arts and crafts

Donated by

Estate of Alan Boxer (2 portraits)

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

Ningali Lawford-Wolf, 1996 (printed 2016) Stuart Spence
Ningali Lawford-Wolf, 1996 (printed 2016) Stuart Spence
Ningali Lawford-Wolf, 1996 (printed 2016) Stuart Spence
Ningali Lawford-Wolf, 1996 (printed 2016) Stuart Spence

Powerful Indigenous women

Magazine article by June Oscar AO, 2017

June Oscar AO lauds three iconic Aboriginal figures in the Portrait Gallery collection who have inspired and influenced her.

Making Stories video: 3 minutes
Making Stories video: 3 minutes
Making Stories video: 3 minutes
Making Stories video: 3 minutes

Kate Grenville

'Making Stories'

Portrait story

Australian writer Kate Grenville discusses her career and portrait by Jenny Sages.

Each morning when I wake up I put on my mothers face, 2000
Each morning when I wake up I put on my mothers face, 2000
Each morning when I wake up I put on my mothers face, 2000
Each morning when I wake up I put on my mothers face, 2000

Paths to portraiture

Magazine article by Dr Sarah Engledow, 2010

The life and art of Australian artist Jenny Sages is on display in the exhibition Paths to Portraiture.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.