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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Clem Hill (member of the 1896 Australian Cricket Team)

H Parker Rolfe

albumen photograph on cabinet card (sheet: 16.5 cm x 10.7 cm, image: 14.5 cm x 10.0 cm)

Clem Hill (1877–1945), one of sixteen children, was born into a notable Adelaide sporting family. His father, HJ Hill, was the first to make a century at the Adelaide Oval; six of his brothers played for South Australia; and one of his sisters played for a local ladies’ cricket side. Clem excelled at various sports but his specialisation in cricket was decided following his debut for South Australia in 1895, when he scored 155 runs in a match against the visiting Englishmen. He debuted for Australia at Lord’s in June 1896, aged nineteen, and in the course of his subsequent 48 Test appearances became one of the greatest batsmen of his era. During the 1897/98 season, he scored more than 800 runs against Andrew Stoddart’s England side, including a double century playing for South Australia, and an innings of 188 in the Fourth Test in Melbourne. He and Victor Trumper each scored 135 runs in the first innings of Australia’s ten-wicket victory over England at Lord’s in 1899, Hill finishing that Test series with the leading average of 60.2. He captained Australia against South Africa in 1910 and England in 1911, concluding his Test career in 1912 having hit eleven centuries and a total of 3 412 runs. In the Sheffield Shield, his record average of 52.25 stood for many years before it was bettered by Don Bradman. Journalist Alban Moyes counted him amongst Australia’s greatest batsmen, and the ‘finest left-hander ever …shortish, thickset, powerful … swift on his feet, and a master of attack and defence’.

Collection: National Portrait Gallery
Purchased with funds provided by L Gordon Darling AC CMG 2014

Accession number: 2014.28

Currently not on display

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Artist and subject

H Parker Rolfe (age 40 in 1896)

Clem Hill (age 19 in 1896)

Subject professions

Sports and recreation

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

Elizabeth, 2019 Anthea da Silva
Elizabeth, 2019 Anthea da Silva
Elizabeth, 2019 Anthea da Silva
Elizabeth, 2019 Anthea da Silva

Darling Portrait Prize

Current exhibition

from Friday 6 March

The Darling Prize is a new annual prize for Australian portrait painters, painting Australian sitters. The winner receives a cash prize of $75,000.

Andy Thomas, 2002 Montalbetti+Campbell
Andy Thomas, 2002 Montalbetti+Campbell
Andy Thomas, 2002 Montalbetti+Campbell
Andy Thomas, 2002 Montalbetti+Campbell

Uncommon Australians

The vision of Gordon and Marilyn Darling

Previous exhibition, 2015

This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.

The National Portrait Gallery
The National Portrait Gallery
The National Portrait Gallery

The Gallery

Explore portraiture and come face to face with Australian identity, history, culture, creativity and diversity.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.