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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Reverend Nathaniel Kinsman

c. 1880
William B. Latimer

albumen silver carte de visite (support: 10.2 cm x 6.2 cm, image: 9.2 cm x 5.8 cm)

Nathaniel Kinsman (1823–1898), preacher, came to Victoria in 1849 and set up in business in Fitzroy as a dealer in second-hand furniture. He became associated with the Anglican congregation in East Collingwood and preached there until 1862, when the church hierarchy decided to appoint an ordained minister in his place. He seceded to form the Victorian Free Church of England, which by 1866 had financed the construction of its own church building in Abbotsford. Kinsman’s opinions on doctrinal and social issues were often reported on in the press. In 1879, for instance, on the question of religious instruction in state schools, he stated his belief that ‘the whole Bible should be read [in schools], for it was the only antidote to the great sin of abomination which flourished around us’. And in welcoming temperance firebrand Matthew Burnett to Melbourne in 1878 Kinsman said he ‘had never seen a man that laid hold of people as [Burnett] did’ and hoped that many would show their support by taking the pledge. Though he wasn’t an ordained minister, as the recognised leader of a specific flock he was permitted to perform marriage ceremonies. This he did with such regularity and relish that he became known as ‘The Marrying Parson’, reportedly officiating in ‘several thousands of marriages’. It was said, however, that ‘with Mr Kinsman the celebration of marriage was purely a matter of business; the charges were regulated to suit the times and the pockets of the parties.’ In addition, such nuptials as Kinsman offered could be conducted at short notice and he was suspected of laxity in verifying whether or not his clients were actually permitted to marry. His name, as a result, was subsequently mentioned in various cases of bigamy, divorce and desertion. Only a week before his death in February 1898, it was reported that one Melbourne judge had ‘publicly objected to hear him styled ‘Reverend’.’

William Latimer (life dates unknown) operated a studio in Fitzroy during the latter decades of the nineteenth century. During the 1880s his studio was located at 145 Smith Street, and subsequently he worked from rooms at 157 Smith Street. His advertisements make no mention of cartes de visite, although throughout the 1890s he advertised that his cabinet card portraits could be had for a shilling each, and his Paris Panels – larger, and slightly more up-market than cabinets – were two for three shillings or sixteen shillings sixpence per dozen.

Collection: National Portrait Gallery
Purchased 2013

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

William B. Latimer

Nathaniel Kinsman (age 57 in 1880)

Subject professions

Religion

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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