Jean Appleton (1911–2003), painter and art teacher, studied at the East Sydney Technical College, before travelling to London. Strongly interested in modern art, she attended the avant-garde Westminster School, where she completed what are considered some of Australia's first cubist paintings, Still Life and Painting IX (both 1937). With the outbreak of war she returned to Australia, thereafter teaching at Canberra Grammar and then at the Julian Ashton and National Art Schools in Sydney. The first of her thirteen solo exhibitions was held at Sydney's Macquarie Galleries in 1940; over decades, she was close friends with fellow Macquarie artists Grace Cossington Smith and Thea Proctor. She painted many still-life pictures, featuring flowers and fruit arranged on sunlit indoor tables, but from the 1950s onward she also painted abstract works, often inspired by landscapes and influenced by Paul Cézanne. Though her work is now represented in major collections, Appleton was like many women artists of her generation in that recognition came late in life: she was in her eighties when a public gallery first presented a retrospective exhibition of her art.
This is a study for the self portrait with which Appleton won the inaugural Portia Geach Memorial Award in 1965. Her abstract landscapes are evoked in the background to the finished self-portrait, which is more sombre than this sketchy, light-filled, rosy study.
Gift of Laurie Curley OAM and Mrs Robyn Curley 2012
© Estate of Jean Appleton
The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the
Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a
Reproduction request. For further information please contact
NPG Copyright.
