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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Bust of Frank McIlwraith

1937
Barbara Tribe

cast bronze, patinated (including base: 45.3 cm x 31.0 cm depth 23.9 cm)

Frank McIlwraith (life dates unknown) was the London representative for the Australian periodical Smith’s Weekly in the late 1930s. McIlraith wrote a number of accounts of the Spanish Civil War for Smith’s, arguing that the Republic embodied ‘all the things Englishmen and Australians are supposed to believe in’ and that if they knew the facts Australians ‘would utter a wild cry of protest.’ Founded by a trio including Robert Clyde Packer, Smith’s Weekly was published in Sydney from 1919 to 1950, presenting a mix of satire, opinion, sports and cartoons. Kenneth Slessor was its editor at one time, and George Finey, Emil Mercier and Stan Cross numbered amongst its cartoonists.

Collection: National Portrait Gallery
Gift of the Estate of the late Barbara Tribe 2009
© Estate of Barbara Tribe

Artist and subject

Barbara Tribe (age 24 in 1937)

Frank McIlwraith

Subject professions

Media and communications

Donated by

Barbara Tribe Estate (2 portraits)

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

General Birdwood, the Idol of Anzac, taking a dip in the sea after a hard days work 1915
General Birdwood, the Idol of Anzac, taking a dip in the sea after a hard days work 1915
General Birdwood, the Idol of Anzac, taking a dip in the sea after a hard days work 1915
General Birdwood, the Idol of Anzac, taking a dip in the sea after a hard days work 1915

In the thick of it

Magazine article by Dr Sarah Engledow, 2010

Projecting the splendour of the empire, and the resolve of its subjects, the bust of William Birdwood keeps a stiff upper lip in the National Portrait Gallery.

The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The National Portrait Gallery is an Australian Government Agency