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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

Woureddy [Wurati], a wild native of Brune Island

1835
Benjamin Duterrau

etching, printed in black ink from one copper plate on paper (sheet: 31.3 cm x 21.9 cm, plate-mark: 27.0 cm x 16.3 cm, image: 27.0 cm x 16.3 cm)

Hostilities between colonisers and lutruwita’s (Tasmania’s) First Nations in the late 1820s led to a policy for the removal of Aboriginal people to Wybalenna, a mission station on Flinders Island in Bass Strait. An evangelically-inclined settler named George Augustus Robinson was appointed to bring this policy into effect. Between 1830 and 1835 he conducted a series of expeditions around lutruwita by which Palawa people were persuaded into banishment. The Palawa leaders who acted as Robinson's guides – including Trukanini (c. 1812–1876) and Wurati (d. 1842) – became popular portrait subjects, with artist Benjamin Duterrau making his name with portraits of them and their compatriots. Duterrau's works were valued by colonists as 'correct' records evidencing Robinson's supposed success in 'civilising' Palawa people. Yet what they reveal is that their subjects remained fiercely proud of their traditions and identity, even after removal to Wybalenna. Wurati, for example, refused to adopt European diet or dress and maintained practices such as the use of ochre for his hair and beard; and Trukanini's portrait shows her wearing shell necklaces – the making of which remains a powerful cultural tradition for contemporary Palawa artists.

Purchased with funds provided by The Ian Potter Foundation 2009

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Benjamin Duterrau (age 68 in 1835)

Wurati

Subject professions

Government and leadership

Supported by

The Ian Potter Foundation (13 portraits supported)

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency