Though named in this engraving as ‘Y-erran-gou-la-ga’, this sitter is identified in the drawing on which this print is based as ‘Mousqueda’ – Musquito to the British. There were two men known as Musquito in Sydney when Baudin’s expedition stopped there in 1802. The better-known Musquito (c. 1780–1825), a Guringai man, was Bulldog’s accomplice in the 1805 Hawkesbury River raids and was sent to Van Diemen’s Land having served his time for those offences. Though technically free after his arrival at Port Dalrymple in 1813, Musquito was prevented from making use of permission to return to Sydney, his proficiency in English and exceptional bush skills making him valuable as a tracker of ex-convict bushrangers. Despite Musquito’s role in the apprehension of various reprobates, including the notorious Michael Howe in 1818, the authorities again denied him leave to return home. Disaffected, Musquito joined members of the Oyster Bay nation in their retaliations against white violence. He was later caught and executed. Other historians, however, believe this Musquito not to be the subject of Petit’s portrait, positing that the work might be a depiction of the second Musquito – one of Bennelong’s associates – who died in Sydney in February 1806.
Collection: National Portrait Gallery
Purchased with funds provided by
Ross A Field 2008
The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the
Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a
Reproduction request. For further information please contact
NPG Copyright.
