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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Omai, A Native of Ulaietea

1774
Nathaniel Dance and Francesco Bartolozzi (engraver)

engraving on paper (sheet: 52.0 cm x 29.1 cm)

Mai (c.1753–c.1779), a native of Ra‘iatea, arrived in Britain in 1774 with the partial return of Cook’s second Pacific voyage. He had joined the expedition in Huahine in the Tahitian archipelago because he sought British arms to avenge the Bora Boran takeover of his father’s land in Ra‘iatea. Cook had assented to his joining, reluctantly, because Mai promised insider knowledge and comraderie for the rest of the Pacific tour. Cook also knew that the naturalist Joseph Banks, back home, yearned to examine a Pacific Islander ‘specimen.’ Banks assumed responsibility for Mai’s stay as soon as the Islander disembarked in London. Banks introduced him to King George III and accompanied him on trips to various English towns. Banks’s fascination dulled after some months, however, and he had set Mai up in a house of his own by early 1775.

Mai sat for many artists during his stay, including the Royal Academician Nathaniel Dance. In Dance’s portrait, Mai carries a feather necklace and a wooden stool from home. He later gifted this stool to his voyager friend Tobias Furneaux, whose descendants in turn sold it in 1986 to the Musée de Tahiti. Dance depicted Mai in tapa cloths and with tattooed hand-markings similar to those shown in Joshua Reynolds’s portrait.

Collection: National Portrait Gallery
Purchased with funds provided by Robert Oatley AO 2007

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Nathaniel Dance (age 39 in 1774)

Francesco Bartolozzi (age 47 in 1774)

Omai (age 24 in 1774)

Supported by

Mr Robert Oatley AO (7 portraits supported)

Related information

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Robert Oatley's continuing benefaction has helped the National Portrait Gallery acquire works that add another layer to the story of Captain Cook.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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