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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Graeme Blundell (on bike as Alvin Purple)

c. 1973
Rennie Ellis

type C photograph on paper (sheet: 62.0 cm x 47.0 cm, image: 44.0 cm x 29.3 cm)

A sequence of Alvin at school in which schoolgirls fight for his attentions and run after him as he flees on his bike sets up the film’s premise: described in Man magazine as the ‘hilarious adventures of a male stud, Alvin . . . a fairly ordinary and inoffensive sort of bloke, except that . . . women find him irresistible’. Made possible by a change in censorship laws, Alvin was a hit. Documentary photographer Rennie Ellis was also on hand to capture the film’s climatic chase sequence in which a bevy of ‘hot-eyed damsels’ chase Alvin, wearing nothing but a wig and his underpants, through Melbourne’s CBD. Post-Alvin, Blundell found himself an unexpected pin-up, and was pursued in the streets by fans.

Collection: National Portrait Gallery
Purchased 2006
© Rennie Ellis Photographic Archive
www.RennieEllis.com.au

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Rennie Ellis (age 33 in 1973)

Graeme Blundell

Subject professions

Performing arts

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

Bon Scott & Angus Young, Atlanta, Georgia
Bon Scott & Angus Young, Atlanta, Georgia
Bon Scott & Angus Young, Atlanta, Georgia
Bon Scott & Angus Young, Atlanta, Georgia

No shirt, no service

Magazine article by Dr Sarah Engledow, 2010

Bon Scott and Angus Young photographed by Rennie Ellis are part of a display celebrating summer and images of the shirtless male.

Rosaleen Norton, Witch of Kings Cross
Rosaleen Norton, Witch of Kings Cross
Rosaleen Norton, Witch of Kings Cross
Rosaleen Norton, Witch of Kings Cross

Aussies All

Magazine article by Dr Sarah Engledow, 2006

Rennie Ellis photographs the self-proclaimed 'Witch of Kings Cross'.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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