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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Helen Garner, 2004

Julian Kingma

type C photograph on paper (sheet: 79.0 cm x 60.0 cm, image: 70.0 cm x 54.9 cm, frame: 104 cm x 76.3 cm depth 4.3 cm)

Helen Garner (b. 1942), writer, was a secondary school teacher before the publication of her first novel, the semi –autobiographical Monkey Grip (1977). Winner of a National Book Council Award, it was made into an outstanding feature film released in 1982. Honour and Other People’s Children (1980), Postcards from Surfers (1985), The Children’s Bach (1984), Cosmo Cosmolino (1992) and The Feel of Steel (2001) followed. Garner’s fiction has strong moral themes, and since the 1990s she has pursued a variety of profound ethical questions in journal articles and non–fiction books. In 1995 The First Stone, exploring claims of sexual harassment at a Melbourne University college, caused a national sensation. Two years later True Stories, a collection of her non–fiction pieces, won the Nita B Kibble Award for women’s life writing. Her rumination on the murder of a Canberra student, Joe Cinque’s Consolation, was published in 2004. Since 2005 Garner has written occasional pieces for The Monthly, sometimes delightedly describing her life with her grandchildren. Her recent books include The Spare Room (2008), This House of Grief: The story of a murder trial (2014) and the collection Everywhere I Look (2016).

Collection: National Portrait Gallery
Gift of the artist 2006
© Julian Kingma

Accession number: 2006.51

Currently not on display

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Artist and subject

Julian Kingma (age 36 in 2004)

Helen Garner (age 62 in 2004)

Donated by

Julian Kingma (6 portraits)

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Featuring striking photographic portraits of contemporary figures from the National Portrait Gallery collection, The Look is an aesthetic treat with a lashing of je ne sais quoi.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.