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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

Bruce Beresford

1962 (printed 2006)
Jozef Vissel

gelatin silver photograph on paper (sheet: 40.3 cm x 30.7 cm, image: 33.9 cm x 25.7 cm)
Bruce Beresford

Bruce Beresford (b. 1940) went to Sydney University before moving to London in the early 1960s. He worked as a film editor in Nigeria and for Britain’s Film Institute Production Board before teaming with Barry Humphries to make The Adventures of Barry McKenzie (1972) and Barry McKenzie Holds his Own (1974). Successful at the box-office, these scandalous productions were sourly received by critics. Undaunted, Beresford proceeded to establish himself as a key figure in Australia’s film ‘renaissance’ with such classics as Don’s Party (1976), The Getting of Wisdom (1977), Breaker Morant (1980), The Club (1980) and Puberty Blues (1981). For his Hollywood debut, Tender Mercies (1983), he gained an Oscar nomination for best director. His 1989 film Driving Miss Daisy won four Academy Awards, including best picture – although Beresford himself was notoriously overlooked for nomination in the direction category. His subsequent pictures have included the acclaimed Black Robe (1991), and more recently And Starring Pancho Villa as Himself (2003) and Mao’s Last Dancer (2009).

Collection: National Portrait Gallery
Gift of the artist 2006
© Jozef Vissel

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Jozef Vissel (age 27 in 1962)

Bruce Beresford (age 22 in 1962)

Subject professions

Performing arts

Donated by

Jozef Vissel (13 portraits)

© National Portrait Gallery 2022
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency