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Sir Edward Wheewall Holden (1885–1947) was an industrialist and politician. During the Boer War his family’s Adelaide saddlery business won large contracts, and later branched into motor-body trimming. Holden’s Motor Body Builders Ltd was formed in 1917, after Edward Holden designed a prototype standard body for imported chassis. Holden’s grew exponentially, and in 1923 began producing bodies for the American-owned General Motors. Holden oversaw its further expansion, incorporating the latest in automated technology. In 1931 GM bought the company – undertaking to maintain its Australian character – and Holden became chairman of General Motors-Holden’s Ltd. He served as a Liberal member of the Legislative Council from 1935 to 1947 and was knighted in 1945. Thereafter he continued his corporate service with bodies including the South Australian Industries Assistance Corporation, the Chamber of Commerce and the Bank of Adelaide. His energetic contribution to public life was perpetuated by his daughter Nancy (later Dame Nancy Buttfield), the first South Australian woman in an Australian parliament.
Leslie Bowles was born in Sydney and began his studies in modelling and carving in Brisbane. In 1910 he won a scholarship to study at the South London School of Sculpture and the Royal Academy School. After serving in the Royal Tank Corps in France from 1914 to 1919, he returned to Australia and worked on the production of dioramas for the Australian War Memorial. He was head sculptor at the Memorial from 1925 to 1931.
Collection: National Portrait Gallery
Bequest of John J Holden 2005
On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.
The life and achievements of Sir Edward Holden, who is represented in the portrait collection by a bust created by Leslie Bowles.
Drawn from some of the many donations made to the Gallery's collection, the exhibition Portraits for Posterity pays homage both to the remarkable (and varied) group of Australians who are portrayed in the portraits and the generosity of the many donors who have presented them to the Gallery.